At the top of the list, Virginia State University’s Trojan Explosion continues its dominant season with a cumulative score of 878.5, built from monthly totals of 287.5 (September), 294.2 (October), and 296.8 (November). The Trojan Explosion has combined precision drill design with a balanced sound that has impressed both fans and judges throughout the season.

In second place, Fayetteville State University’s Marching Bronco Xpress has held steady at 830.75 (280 + 276 + 274.75), demonstrating a consistent and polished presentation. Miles College’s Purple Marching Machine remains close behind with 828.6 (267 + 281.1 + 280.5), highlighted by first-place finishes in Musicality and high-energy halftime shows.

Fourth in the rankings, Tuskegee University’s Marching Crimson Pipers earned a total of 800.1 (244.5 + 285.6 + 270), with their best work coming in October. Winston-Salem State University’s Red Sea of Sound rounds out the top five with 793.5 (246 + 270.5 + 277), capping an impressive run of steady growth and renewed momentum.

“Due to the remarkable performance improvements exhibited by the participating bands, this year’s decision on the top two finalists will be exceptionally challenging,” said Professor Dowell Taylor, BOTY Chair and Jackson State University Director of Bands Emeritus. “Any one of the five bands has demonstrated exceptional talent and deserves recognition of this caliber.”

Dr. Julian White, Florida A&M University Director of Bands Emeritus and BOTY Chair, emphasized the comprehensive nature of the process. “It will not be easy to select two bands from the Top 5 based on just the highest scores,” White said. “Our committee has a responsibility to select the top bands that check all the boxes to ensure a fair and impartial process for all involved.”

Category-by-category results show how deep the Division II competition runs. Miles College claimed first in “Musicality,” while Virginia State finished first in “Pictures, Drill & Design,” “Percussion,” “Drum Majors,” and “Auxiliaries” — an extraordinary sweep that underlines their season-long dominance.

Still, every band in the top five earned multiple top-five finishes across the score sheets. Fayetteville State, Tuskegee, and Winston-Salem State all placed highly in various areas, proving that the final decision could hinge on the smallest of details.

The BOTY committee will spend the weekend deliberating, giving each of the top five bands equal and thorough consideration before announcing the two Division II finalists on Tuesday, November 18, exclusively via HBCU Gameday.

As anticipation builds across the HBCU band community, one thing is certain: no matter which names are called, excellence will once again take center stage in ESPN’s Red Lobster Band of The Year.

The post HBCU D2 Red Lobster Band of The Year Top Five Revealed appeared first on HBCU Gameday.

North Carolina A&T State University’s Blue and Gold Marching Machine sits atop the rankings with a cumulative score of 945.13, built from consistent performances in September (305.2), October (317.03), and November (322.9).

Right behind them, Southern University’s Human Jukebox stands tall at 927.74 (299.5 + 315.44 + 312.8), showcasing unmatched energy and style. Florida A&M University’s Marching 100 is close on their heels with 921.27 points (286 + 321.57 + 313.7), blending classic musicianship with cutting-edge design.

Norfolk State University’s Spartan Legion ranks fourth with 913.17 (284 + 319.37 + 309.8), representing the CIAA-to-MEAC powerhouse’s precision and tone quality. Rounding out the top five is Texas Southern University’s Ocean of Soul, whose steady rise culminated in a total of 882.96 points (280.5 + 290.27 + 312.19).

This year marks a pivotal moment in BOTY history. For the first time, all five of the top-scoring programs will receive equal and thorough evaluation by the BOTY committee before narrowing the field to two finalists. The close margins reflect how competitive the HBCU band landscape has become — and how much artistry is on display at every level.

HBCU Bands Improving Halftime

“Due to the remarkable performance improvements exhibited by the participating bands, this year’s decision on the top two finalists will be exceptionally challenging,” said Professor Dowell Taylor, BOTY Chair and Jackson State University Director of Bands Emeritus. “We will meticulously consider all factors, including the incredibly close scores and other published criteria. However, we are fully aware that any one of the five bands has demonstrated exceptional talent and deserves recognition of this caliber.”

Dr. Julian White, Florida A&M University Director of Bands Emeritus and BOTY Chair, agreed that the final decision will go far beyond simple math. “It will not be easy to select two bands from the Top 5 based on just the highest scores,” White said. “If we were only basing our criteria on the top two highest scores, you really don’t need a committee. Nevertheless, our committee has a responsibility to select the top bands that check all the boxes to ensure a fair and impartial process for all involved.”

The detailed scoring categories reinforce just how competitive the race has been. Norfolk State led in “Musicality,” North Carolina A&T dominated “Pictures, Drill & Design,” Florida A&M topped the “Drum Majors” category, and Southern University reigned supreme in “Auxiliaries.”

With so much excellence across the board, the BOTY selection committee faces a formidable task as they deliberate through the weekend. The top two Division I bands will be officially revealed Tuesday, November 18, exclusively via HBCU Gameday.

The HBCU band world now waits to see which two programs will march into the grand finale of ESPN’s Red Lobster Band of The Year — a stage reserved for only the best of the best.

The post HBCU D1 Red Lobster Band of The Year Top Five Revealed appeared first on HBCU Gameday.

After months of performances, halftime showcases, and social media buzz, the list of elite programs in HBCU band culture is nearly complete. From the symphonic excellence of Norfolk State’s “Spartan Legion” to the crowd-moving precision of North Carolina A&T’s “Blue and Gold Marching Machine,” this month’s standings reaffirm that the world of HBCU marching bands remains as competitive and captivating as ever.

North Carolina A&T Retakes the Top Spot

The Blue and Gold Marching Machine from North Carolina A&T University has reclaimed the No. 1 ranking for November, driven by consistency across every judging category. Their musical execution, showmanship, and auxiliary coordination have made them a dominant force all season long.

Florida A&M University’s world-renowned Marching 100 follows closely behind at No. 2, bolstered by first-place finishes in Pictures, Drill & Design and top-five marks in nearly every other category. The Texas Southern University Ocean of Soul, led by Professor Brian Simmons, continues its climb, landing at No. 3 overall — its highest position of the year.

“We are honored but not surprised by this incredible recognition as one of the top HBCU bands in the country,” said Simmons, who’s now in his third season at TSU. “The Ocean of Soul is one of, if not the hardest working band in the nation. America!! Here We Come!!”

Southern University’s Human Jukebox (No. 4) and Norfolk State University’s Spartan Legion (No. 5) round out the top five. Both programs remain fixtures in the upper echelon of HBCU band excellence, showing why their performances continue to capture national audiences year after year.

Rising Fast: Morgan State’s Magnificent Marching Machine

One of the biggest storylines of the 2025 season has been the rise of Morgan State University’s Magnificent Marching Machine, which has jumped into the Top 10 at No. 9 overall. Under the leadership of Dr. Jorim Reid, the program has achieved remarkable growth in both visibility and execution.

“The Magnificent Marching Machine’s rise into ESPN’s Top 10 reflects our students’ excellence, discipline, and spirit of ‘Growing the Future, Leading the World,’” Reid said. “In just three years, our band has been selected to perform in the Honda Battle of the Bands, France, Italy, and the 2026 Tournament of Roses Parade — showcasing Morgan State University’s global reach and the power, precision, and pride of HBCU musicianship on the world stage.”

Morgan State’s versatility has impressed the Band of the Year judges across categories, with Top 10 placements in Musicality, Percussion, and Drum Majors, signaling a balanced and well-rounded approach to performance.

HBCU Division I Top 10 Overall Rankings – November

Category Breakdowns

Each Band of the Year category offers a glimpse into how these programs excel in specific aspects of performance:

Musicality

Norfolk State claims the top spot, edging out A&T and Florida A&M with its powerful brass and rich symphonic sound. Texas Southern and Southern round out the top five, continuing the dominance of SWAC and MEAC programs.

Pictures, Drill & Design

Florida A&M once again proves its precision, ranking No. 1. Southern and Norfolk State follow closely, with Texas Southern and North Carolina A&T completing a strong top five. The visual artistry of these bands remains one of the defining hallmarks of HBCU pageantry.

Percussion

Hampton University’s “Force” drumline leads the way, setting the tempo for the entire field. A&T, Texas Southern, and Alabama State each deliver dynamic and synchronized percussion ensembles that embody the heartbeat of the HBCU marching tradition.

Drum Majors

Alabama State’s iconic Stingettes and Honey Beez have long drawn headlines, but it’s the Mighty Marching Hornets’ Drum Majors who claim the top spot this month. Their precision and flair have made them the standard for leadership and swagger in motion.

Auxiliaries

No surprise here — Southern University’s Fabulous Dancing Dolls once again reign supreme. Tennessee State’s Aristocrat of Bands and North Carolina A&T’s Golden Delight follow closely, with Florida A&M and Hampton also in the top five.

The Road to the Final Five

This year’s Red Lobster Band of the Year competition features a major change: for the first time, the top five bands will all be considered for the final selection, rather than just the top two. The committee will weigh cumulative scores, show consistency, and artistic impact before revealing the finalists.

Bethune-Cookman and Jackson State — both previously ranked — withdrew from final consideration earlier this fall, creating openings that allowed bands like Hampton, Tennessee State, and Morgan State to climb higher in the standings.

With just days left before the cumulative totals are released, fans across the country are speculating about which programs will make the final cut. Will North Carolina A&T and Florida A&M maintain their spots? Could Texas Southern’s surge push them into a top-two finish? Or will a surprise contender like Alabama State or Hampton make history with a late-season run?

The Bigger Picture: What’s at Stake

More than a trophy or a title, the Red Lobster Band of the Year competition celebrates culture, creativity, and community. These bands are not just halftime entertainment — they are ambassadors of their universities and storytellers of the Black college experience.

For students, the recognition validates years of practice, sacrifice, and passion. For alumni and fans, it reinforces the pride that defines the HBCU legacy. Each performance is a living blend of art, athleticism, and cultural heritage that connects generations of band members past and present.

As Dr. Reid of Morgan State put it, “Our performances aren’t just about sound or motion. They represent a legacy of excellence that spans continents and generations.”

Looking Ahead

The final Red Lobster Band of the Year rankings will be revealed later this month, with the cumulative totals released on Friday, November 14, and the top two selections announced November 18.

Until then, HBCU fans can relive the season’s best moments — from the sonic power of the Ocean of Soul to the unmatched pageantry of the Human Jukebox — as anticipation builds for the finale.

One thing is certain: whether it’s the Blue and Gold Marching Machine, the Marching 100, or a rising powerhouse like Morgan State or Alabama State, the spirit of HBCU marching bands continues to set the rhythm for Black college culture — one beat, one step, and one unforgettable halftime at a time.

The post HBCU Division I Band Rankings: Final Countdown Begins appeared first on HBCU Gameday.

The BOTY committee has announced that the final Top 10 rankings will be released on November 12, followed by the Top 5 on November 14. The final two selections for both Division I and Division II will be revealed on November 18, officially setting the stage for the championship performances that will crown this year’s best in HBCU marching band excellence.

New for 2025: Expanded Consideration for the Top Five

Since 2023, the BOTY process has prioritized the top two bands in each division when determining finalists. But starting this year, all five bands that reach the Top 5 will be given equal consideration for the BOTY finals. The change reflects the growing depth and competitiveness of the HBCU band landscape—where the difference between first and fifth place can be razor-thin.

October’s cumulative rankings illustrate just that, with only a seven-point gap separating the top five Division I programs. It’s a signal that every band within that group has the potential to make it to Atlanta. History also shows that rankings alone don’t decide who wins—bands ranked second or third in past seasons have gone on to capture the BOTY title.

Understanding the Selection Criteria

While cumulative scores remain the foundation of BOTY evaluations, the selection process goes beyond raw numbers. After November’s final scores are calculated, the BOTY committee distributes a detailed survey to each Top 5 band. The survey assesses practical and logistical factors such as rehearsal availability, final exam schedules, uniform readiness, student housing, and graduation dates.

Strength of schedule also plays a major role. Bands that have performed in more challenging or high-profile matchups throughout the season may receive additional consideration. The committee maintains discretion to balance competitiveness with logistical feasibility, ensuring that the final two bands selected represent the very best of HBCU band culture.

Key 2025 Update: HBCU Withdrawals and Adjustments

Two powerhouse programs—Bethune-Cookman University and Jackson State University—remain ranked in this cycle but have officially withdrawn from final consideration. As a result, all other bands in their respective divisions will move up in the standings based on the published adjustment list.

The Spirit of HBCU Band Culture

Ultimately, the BOTY process is about more than scores—it’s about celebrating the unmatched artistry, discipline, and legacy that HBCU marching bands bring to every field and every performance. The shift to expand consideration to the Top 5 ensures that more programs have a legitimate shot to compete on the national stage.

As the countdown to November 18 continues, one thing is clear: the 2025 BOTY finals will once again showcase why HBCU bands remain the heartbeat of Black college culture and the standard of excellence in musical performance

The post HBCU Band of the Year Update: Which bands still have a chance? appeared first on HBCU Gameday.

Jonesboro High School (304.7) and Tri-Cities High School (303.5) followed closely, while New Manchester High School (300.8) and Stephenson High School (292.95) rounded out the top five. Southwest DeKalb (292.73) and Central Gwinnett (283.25) remain in the hunt as the season’s final showdown approaches.

?? Tickets are on sale now for the Red Lobster Band of the Year, ranging from $22.00 to $59.00, giving fans across Atlanta a front-row seat to the energy and artistry of these championship-caliber bands.

Atlanta’s Top 15 — Overall Rankings (October 2025)

Category Leaders

Musicality

1. Westlake High School
2. Tri-Cities High School
3. New Manchester High School
4. Stephenson High School
5. Central Gwinnett High School
6. McNair High School
7. Newton High School
8. Jonesboro High School
9. Southwest DeKalb High School
10. South Cobb High School
11. Salem High School
12. Morrow High School
13. Dutchtown High School
14. Berkmar High School
15. Carver High School

Pictures, Drill, & Design

1. Westlake High School
2. Jonesboro High School
3. Tri-Cities High School
4. New Manchester High School
5. Stephenson High School
6. Southwest DeKalb High School
7. Central Gwinnett High School
8. McNair High School
9. Dutchtown High School
10. Newton High School
11. South Cobb High School
12. Morrow High School
13. Berkmar High School
14. Salem High School
15. South Atlanta High School

Drum Majors

1. Jonesboro High School
2. Westlake High School
3. Tri-Cities High School
4. Southwest DeKalb High School
5. New Manchester High School
6. Central Gwinnett High School
7. Newton High School
8. McNair High School
9. South Atlanta High School
10. Stephenson High School
11. Dutchtown High School
12. Berkmar High School
13. Morrow High School
14. South Cobb High School
15. Salem High School

Percussion

1. Southwest DeKalb High School
2. Jonesboro High School
3. Westlake High School
4. Stephenson High School
5. Tri-Cities High School
6. Central Gwinnett High School
7. New Manchester High School
8. Berkmar High School
9. McNair High School
10. Dutchtown High School
11. Carver High School
12. South Atlanta High School
13. South Cobb High School
14. Newton High School
15. Morrow High School

Auxiliaries

1. Westlake High School
2. New Manchester High School
3. Tri-Cities High School
4. Jonesboro High School
5. Dutchtown High School
6. Southwest DeKalb High School
7. Central Gwinnett High School
8. Martin Luther King, Jr. High School
9. South Atlanta High School
10. McNair High School
11. Stephenson High School
12. Carver High School
13. South Cobb High School
14. Newton High School
15. Lovejoy High School

Voices from Atlanta’s Band Leaders

Cedric Young, Director of Bands at Westlake High School, said the BOTY experience represents more than a competition:

“Participating in the Band of the Year represents more than a performance. It’s a celebration of our students’ excellence, discipline, and community pride.”

Dr. Calvin Morris Jr. of South Cobb High School added:

“Participating in the Band of the Year will highlight the musicianship, discipline, and high standards that are taught daily. It gives our students a platform for the broader Atlanta community to hear the Soaring Sound.”

Jared Davis, Director at McNair High School, said:

“Performing at this level shines a light on our program and broadcasts the greatness that is being cultivated here on Bouldercrest Road.”

Lebarron McWhorter, Director of New Manchester High School, described the opportunity as transformational:

“This recognition isn’t just about one performance—it’s about honoring the hard work and creativity of students who pour their hearts into what they do.”

And Arthur Wright III, of Berkmar High School, emphasized the hometown pride:

“It gives our community a chance to rally behind our band program and strengthens the bond between students, families, and the broader Atlanta community through shared celebration.”

The Atlanta region continues to set the bar for excellence in marching band performance. From powerful percussion to creative drill design, these schools reflect the dedication and artistry that make Georgia a national hub for high school band culture.

?? Tickets are available now for the Red Lobster Band of the Year at prices ranging from $22.00 to $59.00 — don’t miss your chance to see the best of Atlanta take the field.

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The main event goes down Saturday, January 17, 2026, at Flagler Credit Union Stadium in Boca Raton, Florida, with a full weekend of festivities running January 15–18. For HBCU fans, that means sunshine and the best marching bands in the land.

“This expansion is a milestone moment in the event’s legacy,” said Derek Webber, CEO of Webber Marketing and Executive Producer of NBOTB. “It allows us to amplify the music, pride, and excellence of HBCUs on an even larger scale.”

A New Chapter in HBCU Tradition

In its 12-year run, NBOTB has featured 29 different HBCU marching bands and delivered over $2.1 million in scholarships. What started as a showcase has become a statement — a yearly reminder that HBCU band culture leads the rhythm.

Now, that movement is going tropical. And the 2026 lineup reads like a playlist of HBCU band heavy hitters:

Playing to the East Side (Away):

• Bethune-Cookman University – Marching Wildcats (Daytona Beach, FL)
• Florida Memorial University – ROAR (Miami, FL)
• North Carolina A&T State University – Blue & Gold Marching Machine (Greensboro, NC)

Playing to the West Side (Home):

• South Carolina State University – Marching 101 (Orangeburg, SC)
• Southern University and A&M College – Human Jukebox (Baton Rouge, LA)

The Palm Beaches Get the HBCU Experience

“This event brings immense cultural and economic value,” said George Linley, Executive Director of the Palm Beach County Sports Commission. “We’re thrilled to welcome HBCU fans and families to experience The Palm Beaches.”

Beyond the field show, the NBOTB weekend will transform Palm Beach County into a four-day celebration of HBCU excellence, mixing culture, community, and education in a signature fashion.

Official Event Lineup:

• NBOTB Cares Initiative – Thursday, Jan. 15 | The Palm Beaches
• HBCU College & Career Fair – Friday, Jan. 16 | Palm Beach State College (Lake Worth Campus)
• Emerging Experience Entrepreneurship Conference – Friday, Jan. 16 | Palm Beach State College (PSD 108)
• Fan Experience – Saturday, Jan. 17 | Flagler Credit Union Stadium featuring an arts fair, Greek stroll-off, and live performances.

All official events are free and open to the public, with registration required for select activities.

Tickets and Fan Access

Tickets for the inaugural Palm Beaches showdown go on sale Tuesday, October 28, at nationalbattleofthebands.com and Ticketmaster, starting at $20. Suites and group rates will be announced soon.

“This is a true destination event,” said Emanuel J. Perry, Executive Director of the Palm Beach County Tourist Development Council. “It allows us to spotlight local culture, support small businesses, and welcome new visitors during a meaningful time of year.”

For fans who live for the HBCU band experience, the Pepsi National Battle of the Bands is more than just another event—it’s the next evolution of the movement that started in Houston and now beats in Boca.

The post HBCU Band Battle Expands to South Florida for MLK Weekend appeared first on HBCU Gameday.

Southern University’s “Human Jukebox” holds fourth, and Jackson State University’s “Sonic Boom of the South” rounds out the top five—but with an asterisk. Both Jackson State and Bethune-Cookman University’s “Marching Wildcats,” ranked fifth and sixth respectively, have officially withdrawn from BOTY finals consideration, though their performances are still being adjudicated and scored this month for evaluation purposes.

HBCU Division I Top 12 Overall

1Florida A&M University – The Marching 100 – 321.57
2Norfolk State University – Spartan Legion – 319.37
3 North Carolina A&T State University – Blue & Gold Marching Machine – 317.03
4 Southern University – Human Jukebox – 315.44
5 **Jackson State University – Sonic Boom of the South – 314.61 *** (Withdrawn from finals consideration)
6 **Bethune-Cookman University – Marching Wildcats – 310.49 *** (Withdrawn from finals consideration)
7 Alabama A&M University – Marching Maroon & White – 298.62
8 Hampton University – The Marching Force – 295.77
9 Prairie View A&M University – Marching Storm – 294.34
10 Grambling State University – World-Famed Tiger Marching Band – 293.90
11 Texas Southern University – Ocean of Soul – 290.27
12 South Carolina State University – Marching 101 Band – 289.55

(Denotes withdrawal from finals consideration.)

Category Highlights

In Musicality, Norfolk State’s Spartan Legion tops the list, followed by Florida A&M, Bethune-Cookman, and North Carolina A&T.

“Bands are improving their musicality in an atmosphere of competitive comradery,” said Dr. Julian White, BOTY Co-Chair. “Several bands have moved up in the ranking, which demonstrates the effectiveness of intensive rehearsing on music and marching fundamentals.”

In Pictures, Drill & Design, Jackson State’s Sonic Boom remains elite, taking first place despite its withdrawal. Norfolk State, Grambling, and Southern follow, with North Carolina A&T rounding out the top five.

The Blue & Gold Marching Machine took first place in Percussion, with Norfolk State and FAMU trailing close behind.

Meanwhile, Florida A&M’s drum majors continue to set the national standard, leading that category ahead of Alabama A&M and North Carolina A&T.

The Southern University Fabulous Dancing Dolls keep their program on top of the Auxiliaries category, edging out A&T and Bethune-Cookman.

A New Leader, Same HBCU Excellence

For Florida A&M, the climb back to No. 1 is both symbolic and strategic. “We had an outstanding band that won the 2024 ESPN Band of the Year,” said Dr. Shelby Chipman, FAMU Director of Bands. “We feel like our 2025 FAMU Band is just as strong. Our students and staff will continue to pursue excellence that fosters our FAMU Band Motto.”

Norfolk State’s Spartan Legion remains in striking distance, sustaining consistency across musical and visual categories. North Carolina A&T’s Blue & Gold Marching Machine, which held the No. 1 spot in September, remains a contender as it leads all programs in percussion and continues to impress with precision and power.

“Until you get to Atlanta, bands are only competing with themselves,” noted Don P. Roberts, BOTY Executive Consultant. “The monthly rankings are a tool for growth. The phenomenal success of bands like Benedict, Hampton, and Alabama A&M shows what happens when you treat this as a teaching opportunity.”

Voices from the Podium

For Dr. Thomas Jones of Hampton University, the Red Lobster BOTY rankings serve as both affirmation and motivation. 

“In The Marching Force, we face unique challenges and adversity,” Jones said. “Our students and staff show up every day ready to lift each other up and take on the world. Though we’re one of the smaller bands in our division, we take pride in pushing our craft forward and using adjudication as a tool for growth.”

BOTY Chair Professor Dowell Taylor believes that the process continues to elevate the standard for all HBCU band programs.

 “The Band of the Year has had a noticeable and highly valued impact,” he said. “Directors tell us that the evaluation process allows them to view their programs from a unique perspective, guided by professionals who understand the art and science of marching band excellence.”

Momentum Building Toward Atlanta

As the season moves into November, the stakes are rising. The October standings suggest a tight race heading into the final monthly evaluation that determines who will march into the 2025 ESPN Red Lobster Band of the Year Championships in Atlanta. The top five cumulative scores will be under consideration for the two slots in Atlanta based on a number of factors.

Programs such as Alabama A&M’s Marching Maroon & White and Hampton’s Marching Force made significant gains, while Prairie View’s Marching Storm and Grambling’s World-Famed remain steady Top 10 staples.

And although Jackson State and Bethune-Cookman have withdrawn from finals consideration, their inclusion in this month’s scoring continues to provide an important benchmark for the rest of the field—offering context, competition, and a reminder of just how deep the HBCU marching-band tradition runs.

“The Band of the Year rankings are not just about finishing No. 1,” Roberts said. “They’re about daily improvement, professional learning, and raising the bar for the entire HBCU band community.”

The post HBCU Division I Band Rankings Oct. 2025: A New No. 1 appeared first on HBCU Gameday.

Division II Top 10 Overall

1 Virginia State University – Trojan Explosion – 294.2
2 Tuskegee University – Crimson Pipers – 285.6
3 Miles College – Purple Marching Machine – 281.1
4 Fayetteville State University – Marching Bronco Express – 276.0
5 Florida Memorial University – Marching Lions – 272.1
6 Winston-Salem State University – Red Sea of Sound – 270.5
7 Benedict College – Band of Distinction – 269.5
8 Albany State University – Marching Rams Show Band – 258.5
9 Savannah State University – Powerhouse of the South – 258.5
10 Langston University – Marching Pride – 257.0

Movement Across the HBCU Band Map

The biggest story in the October rankings is the upward movement of Tuskegee and Miles, two programs that made significant strides in show design and execution. Tuskegee jumped five spots after ranking seventh in September, while Miles surged from fourth to third thanks to standout percussion and visual consistency.

Fayetteville State, which ranked No. 2 in September, remains in the top tier thanks to its continued strength in Musicality. “We are truly honored by this recognition! This will be very rewarding to our students,” said Professor Austin Chalmers, Director of Bands at Fayetteville State. The Marching Bronco Express continues to earn high marks for tone and balance—a reflection of the musical discipline that defines HBCU excellence.

Meanwhile, Florida Memorial made one of the biggest jumps of any program, rising from ninth to fifth overall. Winston-Salem State’s Red Sea of Sound remained at no. 6 but closed the scoring gap, positioning itself for a potential Top 5 finish in November.

Category Leaders

• Musicality: Fayetteville State University
• Pictures, Drill & Design: Virginia State University
• Percussion: Clark Atlanta University
• Drum Majors: Virginia State University
• Auxiliaries: Tuskegee University
  

Virginia State continues to impress across multiple categories, winning Pictures, Drill & Design for a second straight month and ranking high in Drum Majors and Auxiliaries. “The Trojan Explosion” earned praise for its dynamic formations and full-bodied sound—a combination that’s kept the band in the top spot from September to October.

“The Band of the Year has had a noticeable and highly valued impact on HBCU band programs,” said Professor Dowell Taylor, BOTY Chair. “Directors tell us the evaluation process gives them a chance to analyze their programs from a new perspective, guided by professionals who understand this art form.”

HBCU Powerhouses on the Rise

For Tuskegee, the return to the upper tier is a significant statement heading into the final BOTY evaluations. The Crimson Pipers, one of the oldest HBCU marching bands in America, showcased stronger auxiliary performances and rhythmic cohesion in October.

Miles College’s Purple Marching Machine, known for its showmanship and precision percussion, continues to set a standard of consistency. Its drumline ranked No. 2 in Division II behind Clark Atlanta, helping propel the band into the top three overall.

Benedict College’s Band of Distinction and Langston University’s Marching Pride both cracked the Top 10, while Albany State and Savannah State tied at eighth—continuing one of the most entertaining rivalries in HBCU band culture.

“The monthly rankings are not just about who’s on top,” explained Don P. Roberts, BOTY Executive Consultant. “They’re designed to help bands grow through professional feedback. Show me a successful program, and I’ll show you one that’s committed to constant learning.”

Teaching, Growth, and Tradition in the HBCU Band World

Beyond the competition, the BOTY framework continues to emphasize education and growth. “The rankings also give credence to band as an academic discipline,” said Dr. Julian White, BOTY Co-Chair. “The bands are improving their musicality in an atmosphere of competitive comradery.”

This educational focus has resonated deeply with students and directors alike. Many HBCU programs use their monthly evaluations as teaching moments—highlighting measurable growth in tone, uniformity, and precision. For some, that’s more valuable than the trophy itself.

Roberts added, “The Band of the Year rankings are not a competition until Atlanta. Until then, bands are only competing with themselves.”

Looking Ahead to November and Atlanta

With one ranking period remaining before the 2025 ESPN Red Lobster Band of the Year Championship at Mercedes-Benz Stadium in Atlanta, the race remains wide open. While Virginia State continues to set the pace, the distance between second and seventh is narrow enough for major shakeups in the November results. The top five bands at the end of the November rankings will be in the running to make it to the championship.

The Crimson Pipers, Purple Marching Machine, and Marching Bronco Express are all within striking distance of the top. Meanwhile, Florida Memorial, Winston-Salem State, and Benedict College have momentum on their side as the fall season winds down.

Professor Taylor summed up the spirit of the BOTY movement perfectly:

“The Band of the Year program isn’t just about who wins—it’s about preserving and advancing the HBCU band tradition. Every rehearsal, every performance, every ranking represents progress for the culture.”

The post HBCU Division II Band Rankings Oct ’25: Big Movers Make Impact appeared first on HBCU Gameday.

The suspension was originally put in place while officials looked into allegations of hazing within the organization. Although the band has resumed operations, several members remain suspended pending the outcome of disciplinary hearings, according to the university.

“The Office of Student Conduct continues to review individual matters, and a few members remain on suspension pending the outcome of the hearing process,” FVSU said in a statement. “We appreciate the cooperation of band members and university partners throughout this process.”

Two Arrested in Connection with Hazing Allegations

According to reporting from The Macon Telegraph, two women were arrested in early October after a criminal investigation uncovered evidence of hazing within the Blue Machine Marching Band.

Arika Tolbert, 21, and Jayla Williams, 20, were both taken into custody on separate hazing charges, incident reports show. Authorities also issued a warrant for a third woman, age 25, who was not taken into custody, The Telegraph reported.

The arrests occurred on Oct. 1, according to a media arrest summary compiled by the Peach County Sheriff’s Office. Officials said the arrests were not made at or near the scene of the alleged offense.

Investigation Began After Report on September 24

The investigation began after a hazing report was filed on Sept. 24, the same day university officials suspended all activities of the Blue Machine Marching Band. The suspension remained in effect through FVSU’s homecoming week, university officials said.

After a campus police officer interviewed a student regarding the alleged incident, the information was turned over to the Fort Valley Police Department. Investigators later determined there was “sufficient evidence to support charges of hazing,” according to police and university officials cited by The Telegraph.

Details Remain Limited

As of now, authorities have not released specific details about the alleged hazing acts that led to the arrests. Neither Fort Valley State University nor local police have confirmed whether Tolbert and Williams were band members at the time of the allegations or if they remain suspended from the university.

FVSU officials said an independent administrative investigation was conducted in accordance with both university and University System of Georgia policies, as well as the federal Stop Campus Hazing Act.

“The University remains committed to maintaining a safe, inclusive and respectful environment for all students,” FVSU said. “We will continue to enforce our policies to ensure the well-being of our campus community.”

The university added that updates will be shared as the internal investigation continues.

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A Look Worthy of the Sonic Boom

The new uniforms draw inspiration directly from the band’s iconic style. They feature a navy blue, light blue, and white color palette — the same combination that defines the Sonic Boom’s sharp presence on the field.

The numerals and trim mirror the band’s signature shoulder detailing. “JACKSON STATE” runs boldly down the pant legs in white, matching the band’s vest accents and gauntlets. Together, these details create a look that feels both modern and timeless.

Even the helmets echo the band’s energy. The navy shell features the player’s number on one side and a light blue “J” outlined in white on the other. Two light blue stripes cut across the top, finished with a clean white facemask. Every element ties back to the spirit of the Sonic Boom.

A Homecoming Stage Like No Other

Saturday’s game already carries weight. Jackson State and Alabama State enter as the top teams in the SWAC. With postseason hopes on the line, this showdown will be one of the biggest in HBCU football this season.

But the unveiling of these uniforms adds another layer to the moment. It’s a visual celebration of legacy — a connection between the roar of the crowd, the rhythm of the drumline, and the unity of the HBCU community.

A Celebration of Sound, Pride, and Legacy

Jackson State’s new look captures what makes HBCUs unique. It fuses athletic competition with musical and cultural tradition, creating something that stands out across the college football landscape.

The decision to honor the Sonic Boom through design highlights JSU’s commitment to storytelling through style. It reminds fans that music, movement, pride, and performance all share the same heartbeat.

As the Tigers take the field under the bright lights, the connection between the band and the team will be clear. This Homecoming isn’t just a game — it’s a performance that celebrates the full scope of HBCU culture.

Kickoff is set for 2:30 PM on ESPNU, and the entire country will be watching as Jackson State and the Sonic Boom of the South brings its rhythm to the gridiron once again.

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Dr. Donovan V. Wells, longtime Director of Bands for Bethune-Cookman University’s Marching Wildcats, released a public statement explaining why his program does not support the competition’s structure. His comments come just weeks after Dr. Roderick Little of Jackson State University’s Sonic Boom of the South made a similar declaration.

Wells: “Marching Band Is Not a Sport”

In a letter to alumni and supporters, Wells made clear that his issue is philosophical, not personal.

He believes the ranking format reduces an educational art form into a contest.

“As Director of Bands, I have never been a supporter of this competition concept,” Wells wrote. “There are better, more meaningful ways to showcase and celebrate the HBCU marching band art form without placing us in direct competition against one another. Marching band is not a sport — it is an academic entity.”

The Marching Wildcats are one of the most respected and recognized HBCU bands in the nation, known for precision, musicality, and national television appearances.

Wells said his concern centers on how the ranking system shapes public perception of what HBCU bands represent.

Forced Into Competition

Wells said he has requested several times for Bethune-Cookman to be excluded from the Band of the Year rankings, but those requests have not been honored.

Despite my repeated requests to exclude the Marching Wildcats, since the event’s inception, my request has been ignored,” he wrote. “It feels as though we are being forced into participation. I cannot, in good conscience and as an educator, accept this rule of thought for the young women and men I represent.”

Wells added that professional collaboration — rather than direct competition — has always been his preferred model for HBCU band events.

He cited past organizations that emphasized dialogue among directors and exchange of educational ideas instead of scorecards.

ESPN plans to adjudicate all bands

John Grant, Executive Director of ESPN Events, which presents the Red Lobster Band of the Year, addressed the concerns during a recent interview with HBCU Gameday.

Grant explained that the rankings are based on adjudication from a panel of judges, not just popularity, and that every participating band is evaluated by the same criteria.

He also noted that bands ranking in the top five have the option to opt out if they choose not to be listed publicly — a clarification meant to ensure that participation remains voluntary.

Grant said the goal of the program is to “honor the excellence, pageantry, and influence of HBCU marching bands” while giving them increased national exposure through ESPN’s platforms.

HBCU band heads

Wells’ post drew widespread attention across social media, with fans and alumni praising his willingness to take a principled stand.

Many commenters described his decision as “protecting the culture,” arguing that HBCU bands should not be turned into a competitive spectacle.

Supporters of the Marching Wildcats also pointed out that Jackson State’s Dr. Little raised similar objections earlier, saying that the Sonic Boom of the South wanted to focus on musical excellence rather than rankings.

The fact that two of the most recognized HBCU programs have now publicly voiced concern has amplified the conversation across the HBCU band world.

HBCU band ownership and representation

Wells emphasized that he harbors no ill will toward directors who choose to participate.

He called for unity and mutual respect among band programs while warning that commercialization could dilute the art form.

“We must demand respect and protect our HBCU band culture,” he wrote. “If we fail to do so, we risk losing ownership of what makes us who we are.”

The Band of the Year competition remains a celebration of HBCU talent — but with voices like Bethune-Cookman and Jackson State now calling for change, the discussion around how best to honor that legacy continues to evolve.

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The Statement from Fort Valley State

Fort Valley State stressed that student safety is its top priority.

“The City of Fort Valley Police Department has concluded its criminal investigation regarding the FVSU Blue Machine Marching Band and has found sufficient evidence to support charges of hazing. As a result, arrests have been made in connection with the case.

The University is engaged in an independent administrative investigation in accordance with FVSU policy, USG policy and the Stop Campus Hazing Act. The ongoing process is comprehensive and involves additional steps beyond the investigation. Until the process is complete, the band will remain under suspension and will not perform this weekend.

We understand the seriousness of this situation and the impact it has on our community, particularly during Homecoming season. Our top priority is the safety and well-being of all our students and the entire Wildcat community.

We will provide additional updates as necessary as the internal investigation progresses.”

Impact on Fort Valley State Homecoming

The suspension comes at a critical time. Fort Valley State’s homecoming is set for October 4 against Central State. At an HBCU, homecoming is more than football. It is a week filled with alumni pride, student life, and cultural celebrations.

The Blue Machine Marching Band usually provides the soundtrack for the entire week. Its absence will be obvious. Without the band, tailgates, pep rallies, and halftime traditions will lack one of the school’s most visible symbols of spirit.

A Longstanding Issue for HBCUs

Hazing continues to be a major challenge for colleges nationwide. For HBCUs, the issue is especially significant because bands and Greek organizations are central to campus culture. Fort Valley State’s case highlights the difficult balance between tradition, community, and safety.

The Stop Campus Hazing Act, cited in the school’s statement, seeks to improve reporting and accountability across higher education. HBCUs are not exempt from these challenges. Previous hazing cases have disrupted bands, athletic programs, and fraternities. Each one sparks new calls for reform, even as alumni and students debate how to preserve beloved traditions.

Community Reaction

For alumni and supporters, the timing is especially painful. Homecoming season is when HBCU campuses shine brightest. Bands like the Blue Machine are more than performers. They are cultural institutions that link generations of students.

Many in the Wildcat community, however, see the suspension as necessary. The police investigation confirmed that the matter extends beyond campus discipline. By aligning with both University System of Georgia policy and the federal Stop Campus Hazing Act, Fort Valley State showed its commitment to accountability.

Broader HBCU Impact

The outcome of this case will resonate across the HBCU landscape. Leaders at other institutions will look closely at Fort Valley State’s response as they face their own hazing challenges. Administrators are under pressure to prove that safety comes before tradition.

HBCU bands are celebrated nationwide, often going viral for their halftime shows. They serve as cultural ambassadors far beyond their campuses. Still, Fort Valley State’s hazing scandal underscores how misconduct can endanger these institutions and their legacy.

Looking Ahead

Fort Valley State’s homecoming will proceed, but without the familiar sounds of the Blue Machine Marching Band. The atmosphere will feel different—quieter and more reflective. Students and alumni expecting brass and percussion will instead confront the reality of hazing’s consequences.

The university has promised more updates as its internal review continues. For now, the band remains suspended. The Wildcats are shifting focus toward safety and accountability during one of the most important weekends on the HBCU calendar.

This is a defining moment for Fort Valley State. The school was recently ranked as the number one public HBCU in Georgia, a point of pride for the community. Yet its response to hazing will also shape how this chapter is remembered. Transparency, accountability, and student protection will determine the lasting impact.

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Joe Bullard, the veteran public address announcer for the Marching “100,” released a statement Sunday. He acknowledged the harm caused by his words.

“My comments directed toward the ASU Honey Beez were meant as lighthearted banter, but I now recognize that they came across in a way that was hurtful and disrespectful,” Bullard said. “For that, I extend my deepest and most heartfelt apologies: first and foremost to the ASU Honey Beez, to Alabama State University, to the Alabama State University Marching Band, to Florida A&M University, and to the fans and supporters of both institutions who were in attendance, or anyone else who heard my words. To anyone who was offended, I am truly sorry.”

Bullard made the remarks during halftime of Alabama State’s game at FAMU. Shortly afterward, clips of the moment spread quickly online. Alumni, fans, and HBCU supporters criticized the language and called it disrespectful toward a team that has earned national recognition for its talent and cultural impact.

Florida A&M President: “We Must Do Better”

FAMU President Marva Johnson responded to the controversy with a detailed statement on Sunday evening. She described Bullard’s words as “inappropriate and offensive” and emphasized that they did not reflect the values of the university or its storied band program.

“As an institution, we take great pride in the Marching ‘100’ and the atmosphere our band creates on game day,” Johnson said. “But with that pride comes responsibility. The language used during halftime fell short of our standards. We must do better to ensure that every performer on the field is treated with the respect they deserve.”

Johnson directly apologized to Alabama State University, the Honey Beez, and their supporters. Furthermore, she highlighted the group’s excellence within HBCU culture.

“The Honey Beez are exemplars of discipline, school pride, and artistry,” she said. “Their performances inspire audiences across the country. That should never be diminished by careless remarks, no matter the intent.”

In addition, Johnson announced that the university will review its internal protocols for public announcements at athletic events. She explained that FAMU plans to use this moment to reinforce respect and accountability within the game-day experience.

Alabama State President: “Their Light Cannot Be Dimmed”

Alabama State University President Quinton Ross addressed the Honey Beez directly, offering both praise and support in the aftermath of the controversy. He underscored their role as cultural ambassadors and their impact on fans nationwide.

“Honey Beez, please know that you are celebrated, valued, and admired for the joy that you bring to the Hornet Nation, and also for the bold and fearless way you represent the very best of ASU,” Ross said. “Continue to shine, because your light cannot be dimmed by negativity.”

Ross also emphasized the broader significance of the moment for HBCUs.

“Within HBCU culture, our bands and dance teams are more than entertainment—they are institutions,” he said. “When someone disrespects that tradition, they don’t just hurt a single group. They undermine something that generations have built. The Honey Beez reflect courage, creativity, and excellence. We stand firmly with them.”

A Legacy Bigger Than the Moment

The Honey Beez, founded in 2004, have become a celebrated part of Alabama State’s band program. The group actively challenges stereotypes and expands representation for plus-sized dancers in HBCU band culture. Their high-energy performances have reached national audiences through halftime shows, television appearances, and viral clips.

Moreover, their continued presence speaks to a larger cultural legacy. For many fans, they symbolize both tradition and progress inside HBCU spaces. Saturday’s incident reignited conversations about how public figures influence narratives around these performers and the respect they deserve.

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“Fort Valley State University has directed the Blue Machine Marching Band to suspend all activity due to allegations of hazing. FVSU takes acts of hazing and allegations of hazing seriously and the matter is being investigated. The safety and well-being of our students and Wildcat community are always our top priority,” Smith wrote in a statement.

The university’s Office of Legal and Government Affairs is leading the investigation. At this time, no further details about the hazing allegations have been released.

The timing is especially significant. FVSU is preparing for its annual homecoming week, with thousands of alumni and supporters expected back in Peach County. The Wildcats are set to face Central State on October 4, but the suspension of the band has raised questions about how the festivities will be impacted. Adding to the context, the Wildcats also traditionally play a high-profile rivalry game against Tuskegee University, one of the more anticipated contests on their schedule.

This development comes as Fort Valley State was recently ranked the number one public Historically Black College and University (HBCU) in Georgia by U.S. News and World Report.

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The Atlanta competition mirrors the format of the HBCU Band of the Year. It connects young musicians directly to the traditions and excellence of Historically Black Colleges and Universities. This year’s list of 25 bands will shrink to 15 in October and 10 in November. Finally, two finalists will perform at Mercedes-Benz Stadium on December 12, 2025—the same stage as the HBCU Band of the Year. Each finalist will receive $10,000 in program support. As a result, the showcase has become one of the most impactful opportunities for Atlanta’s high school musicians.

Like the HBCU competition, Atlanta’s high school bands will face evaluation on musicality, drill and design, percussion, drum majors, pictures, and auxiliaries. Current HBCU band directors and dance coaches will serve as judges. In addition, Dr. James Oliver, legendary director of the Alabama State University Marching Hornets, will oversee the process.

“Our goal is to connect high school bands to HBCU bands in a way that leads to greater success for all involved,” Oliver said. “HBCU style bands provide extraordinary entertainment to fans across the world. Yet our number one goal is quality music education at both the high school and collegiate level.”

Metro Atlanta High Schools

Atlanta’s County Representation

• Atlanta Public Schools – 3
• Clayton County Schools – 3
• Cobb County Schools – 2
• DeKalb County Schools – 4
• Douglas County Schools – 1
• Fulton County Schools – 4
• Gwinnett County Schools – 3
• Henry County Schools – 2
• Newton County Schools – 1
• Rockdale County Schools – 1
  

Judging and HBCU Connection

Just like the HBCU competition, Atlanta’s high school bands will be evaluated on musicality, drill and design, percussion, drum majors, pictures, and auxiliaries. A panel of current HBCU band directors and dance coaches will serve as adjudicators. Oversight comes from Dr. James Oliver, the legendary Alabama State University Marching Hornets director.

“It is our goal to universally connect the high school bands to the HBCU bands in a way that will lead to greater musical success for all involved,” Oliver said. “We realize that HBCU style bands provide extraordinary entertainment to fans all across the world. However, our number one goal is to provide quality music education to our students on the high school and collegiate level.”

Pride Across Atlanta

From DeKalb to Fulton and beyond, educators are celebrating the recognition this brings to Atlanta’s high school marching band culture.

• “Being named ESPN Band of the Year would shine a national spotlight on the talent, tradition, and tireless work of our DeKalb County students and directors,” said Monica Fogg.
• Devon James of Salem High School said the competition has become “a cultural force inspiring the next generation of performers and educators”.
• Adam Brooks of Atlanta Public Schools called the recognition “a true testament to the hard work of the directors, students, and school communities.”
  

Building on the Atlanta to HBCU pipeline

This competition is as much a pipeline as it is a ranking. Many of these high school musicians will go on to join HBCU bands across the country, carrying with them the lessons and inspiration they’ve gained on the BOTY stage.

By tying Atlanta’s high school showcase directly to the HBCU Band of the Year, the event creates a unique opportunity for young performers to envision themselves as part of the tradition they already admire.

The post Atlanta area high schools to shine in Red Lobster Band of the Year appeared first on HBCU Gameday.

Jackson State University already a part of history

The announcement is significant given Jackson State University’s place in the history of the competition. The Sonic Boom was part of the inaugural Band of the Year showcase in 2023, where it fell to North Carolina A&T in the championship round. Former JSU director Dowell Taylor is one of the Band of The Year co-chairs.

While that debut appearance highlighted the band’s national stature, Dr. Little emphasized that sitting out future adjudication and rankings is a matter of institutional preference, not rivalry or lack of capability.

“We fully respect the decision of other programs to participate, as well as the enthusiasm of fans who follow the competition,” Dr. Little wrote. “At Jackson State, our students work tirelessly and are evaluated by a different set of standards—those that focus on personal growth, musical excellence, and cultural impact. We take immense pride in the integrity, resilience, and life achievements of our members, both on and off the field.”

Dr. Little’s letter made clear that Jackson State University continues to hold the Band of the Year organizers in high regard and seeks to maintain positive relationships across the broader HBCU band community. Still, the message reaffirms that the Sonic Boom’s performance metrics are defined internally, rather than through external rankings or competitions.

Band of the Year response

ESPN Events’ John T. Grant, executive director of the Red Lobster Band of the Year, speaking exclusively to HBCU Gameday, responded to the decision with respect and understanding. 

“We acknowledge the position taken by Jackson State University’s Sonic Boom of The South,” Grant said in a statement. “Each band will be adjudicated through the season as we have for the last two seasons. Our process provides that any band in the season-ending top five may decline to participate in the final competition — if selected.”

Grant also underscored the broader mission of the initiative, which extends beyond trophies or bragging rights within the HBCU band world and beyond. 

“The objective of the Band of the Year is to provide evaluation and insight to help each band improve their overall on-field performance,” he added.

Differing HBCU philosophies

The announcement is sure to spark conversation across the HBCU community. Jackson State University’s Sonic Boom of the South has long been regarded as one of the standard bearers of HBCU band culture, with a legacy of showmanship and precision that has inspired generations. The Band of The Year event’s process has been under a microscope since ESPN announced it in the summer of 2023 as it is based solely on field performances. 

Jackson State’s announcement illustrates that the HBCU band world is not only a diverse set of marching styles, but philosophies as well.

The Red Lobster Band of The Year rankings will be revealed exclusively on HBCU Gameday in mid-October.

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Legendary Leadership

At the heart of the BOTY judging process are its co-chairs: Professor Dowell Taylor and Dr. Julian E. White.

Taylor, Director of Bands Emeritus at Jackson State University, is synonymous with the Sonic Boom of the South. Known for arranging the band’s iconic rendition of “Get Ready” and serving as chairman of JSU’s music department, his career has spanned decades of shaping HBCU marching culture.

White, Director of Bands Emeritus at Florida A&M University, is equally revered. As the longtime leader of the Marching 100, he not only guided one of the most innovative programs in the nation but also earned induction into the American Bandmasters Hall of Fame and the National Battle of the Bands Hall of Fame.

Together, they embody the BOTY mission: to elevate HBCU marching bands by providing constructive critique and recognizing excellence on a national stage.

A Diverse Panel of Experts

Supporting the co-chairs is a committee intentionally designed to bring in perspectives from both inside and outside the HBCU community.

• Dr. Christopher Hoch, director of the Ohio State University Marching Band, brings international recognition for creative drill design. His band is widely considered one of the most viral ensembles in the world thanks to shows that push the boundaries of formation marching.
• Professor Cliff Croomes, director of the University of Texas Longhorn Band, is a respected composer and founding board member of the Composer Diversity Initiative. He also sits on the advisory board for the Dr. William P. Foster Project, continuing the legacy of the FAMU pioneer.
• Dr. Latoya Webb, director of bands at Ball State University, is an internationally sought-after conductor and educator. A Norfolk State alumna, she also serves as Tau Beta Sigma’s National Vice President for Professional Relations.
• Dr. Gregory Drane, director of Penn State’s Marching Blue Band, is a Bethune-Cookman graduate who has built a reputation as both an arranger and drill writer.

To maintain fairness, BOTY also rotates in current HBCU directors as adjudicators—but with one important rule: no director can evaluate their own division. This ensures the process remains impartial and rooted in credibility.

How the Judges Work

The committee evaluates bands monthly across five categories: musicality, drill & design, percussion, drum majors, and auxiliaries. Adjudicators rotate their assigned categories from September through November, preventing the same person from scoring the same area twice. When championship weekend arrives in Atlanta, a sixth category—general effect—is added to capture the full impression of a band’s show.

This layered approach reflects BOTY’s core philosophy: excellence in HBCU band culture is about balance. A band cannot rely solely on musicality or crowd appeal; it must demonstrate strength across the board.

Why Their Role Matters

The committee doesn’t just hand out scores; it provides feedback designed to help bands grow. Professor Taylor sees this as one of the most meaningful outcomes of BOTY:

“Since the committee comprises accomplished professionals from diverse areas of music education, particularly marching band pageantry, I am highly optimistic that HBCU bands at all levels of proficiency will greatly benefit from the numerous comments and constructive recommendations provided to enhance their musical presentations.”

Dr. White, reflecting on the first two years of BOTY, has already witnessed its impact:

“Over the past two years our bands have improved tremendously. This is a testimony to the kind of leadership that we have among our hard-working HBCU band directors and elite committee members that have embraced this process. It is extremely beneficial to our goal of making good music and maintaining the quality of our historical halftime traditions.”

Their words highlight how BOTY judging goes beyond competition. It’s about mentorship, accountability, and pushing programs to reach their highest potential.

Tradition Meets Innovation

The presence of judges from Ohio State, Texas, Penn State, and Ball State underscores BOTY’s vision of bridging HBCU excellence with broader marching traditions. For Dr. Hoch, for instance, the chance to evaluate HBCU shows offers both a challenge and an opportunity to engage with bands that emphasize not just drill precision but also showmanship, call-and-response with the crowd, and cultural storytelling.

At the same time, the inclusion of HBCU veterans like Taylor, White, Webb, and Drane ensures that the rich traditions of pageantry, high-stepping, and show-style marching remain the standard of excellence. The result is a committee that embodies both respect for history and a drive for innovation.

Building Toward Atlanta

As the season unfolds, the judges will publish three rounds of rankings: Top 15 in September, Top 10 in October, and Top 5 in November. From there, the committee will select two Division I and two Division II bands to compete in Atlanta’s Mercedes-Benz Stadium on December 12, 2025.

The work of the adjudicators will culminate on that stage, where the bands themselves will provide the final arguments for why they deserve to be crowned national champions. But for Taylor, White, and their colleagues, the value lies in the journey—each critique, each adjustment, and each show that grows sharper because of the process.

Why Fans Should Care

For fans, BOTY judging is more than a set of scores—it is a recognition of the artistry, discipline, and legacy that define HBCU marching bands. The judges’ work ensures that these bands receive the same level of analysis and spotlight as football teams chasing championships.

In the words of Dr. White, the process keeps one goal in sight: “making good music and maintaining the quality of our historical halftime traditions.”

That’s what makes BOTY unique: not just a competition, but a living classroom where legends of the past, innovators of the present, and students of the future meet on the same field.

This article was produced with the assistance of artificial intelligence and reviewed by HBCU Gameday editorial staff for accuracy and clarity.

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Musicality in HBCU Division II Bands

Miles College’s Purple Marching Machine claimed the top spot in musicality, praised for its tone and balance. Virginia State’s Trojan Explosion followed closely, with Fayetteville State’s Marching Bronco eXpress and Albany State’s Marching Rams Show Band rounding out the top four. Langston’s Marching Pride also broke into the Top 5, showcasing the depth of talent across smaller HBCU programs.
Top 10 in Musicality:

1. Miles College – Purple Marching Machine
2. Virginia State University – Trojan Explosion
3. Fayetteville State University – Marching Bronco eXpress (MBX)
4. Albany State University – Marching Rams Show Band
5. Langston University – Marching Pride
6. Savannah State University – Powerhouse of the South
7. Benedict College – Band of Distinction
8. Elizabeth City State University – Sound of Class
9. Winston-Salem State University – Red Sea of Sound
10. Florida Memorial University – The ROAR Marching Band

Drill & Design Across HBCUs

Virginia State excelled in creativity and precision, topping the drill and design category. Savannah State’s Powerhouse of the South and Fayetteville State’s MBX followed, while Winston-Salem State’s Red Sea of Sound and Albany State’s Marching Rams rounded out the Top 5.

Top 10 in Drill & Design:

1. Virginia State University – Trojan Explosion
2. Savannah State University – Powerhouse of the South
3. Fayetteville State University – Marching Bronco eXpress
4. Winston-Salem State University – Red Sea of Sound
5. Albany State University – Marching Rams Show Band
6. Miles College – Purple Marching Machine
7. Elizabeth City State University – Sound of Class
8. Benedict College – Band of Distinction
9. Tuskegee University – Marching Crimson Pipers
10. Virginia Union University – Ambassadors of Sound

Percussion Power in HBCU Marching Bands

Percussion remains one of the most exciting categories for HBCU fans, and Virginia State once again led the way. Tuskegee’s Marching Crimson Pipers and Albany State’s Marching Rams brought strong rhythm sections, while Miles and Fayetteville State proved formidable.

Top 10 in Percussion:

1. Virginia State University – Trojan Explosion
2. Tuskegee University – Marching Crimson Pipers
3. Albany State University – Marching Rams Show Band
4. Miles College – Purple Marching Machine
5. Fayetteville State University – Marching Bronco eXpress
6. Virginia Union University – Ambassadors of Sound
7. Fort Valley State University – Blue Machine Marching Band
8. Elizabeth City State University – Sound of Class
9. Langston University – Marching Pride
10. Talladega College – Great Tornado Band

HBCU Drum Majors Lead the Way

Drum majors are often the heartbeat of HBCU marching culture, and Virginia State again set the pace. Fayetteville State, Florida Memorial’s ROAR, and Edward Waters’ Triple Threat earned high marks for style and leadership, while Albany State completed the Top 5.

Top 10 in Drum Majors:

1. Virginia State University – Trojan Explosion
2. Fayetteville State University – Marching Bronco eXpress
3. Florida Memorial University – The ROAR Marching Band
4. Edward Waters University – Triple Threat Marching Band
5. Albany State University – Marching Rams Show Band
6. Tuskegee University – Marching Crimson Pipers
7. Elizabeth City State University – Sound of Class
8. Savannah State University – Powerhouse of the South
9. Winston-Salem State University – Red Sea of Sound
10. Talladega College – Great Tornado Band

Auxiliaries in HBCU Marching Bands

Albany State’s auxiliaries shined brightest, while Fort Valley State’s Blue Machine and Florida Memorial’s ROAR rounded out the top three. Virginia State finished fifth, showing its consistency across all sections.

Top 10 in Auxiliaries:

1. Albany State University – Marching Rams Show Band
2. Fort Valley State University – Blue Machine Marching Band
3. Florida Memorial University – The ROAR Marching Band
4. Edward Waters University – Triple Threat Marching Band
5. Virginia State University – Trojan Explosion
6. Fayetteville State University – Marching Bronco eXpress
7. Winston-Salem State University – Red Sea of Sound
8. Morehouse College – House of Funk
9. Benedict College – Band of Distinction
10. Elizabeth City State University – Sound of Class

Virginia State Sets the Standard

Virginia State University demonstrated why it is a frontrunner, placing first in drill & design, percussion, and drum majors, and finishing in the Top 5 for both musicality and auxiliaries. Its consistency across every category positions the Trojan Explosion as the benchmark in Division II HBCU band competition heading toward Atlanta in December.

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HBCU Division I rankings breakdown

According to the BOTY committee, the first Division I HBCU band rankings for September are:

1. North Carolina A&T University – Blue and Gold Marching Machine (305.70)
2. Southern University – Human Jukebox (299.70)
3. Bethune-Cookman University – Marching Wildcats (293.25)
4. Florida A&M University – Marching “100” (286.55)
5. Norfolk State University – Spartan Legion (284.00)
6. Texas Southern University – Ocean of Soul (280.55)
7. Prairie View A&M University – Marching Storm (278.65)
8. Jackson State University – Sonic Boom of the South (273.60)
9. Alabama State University – Mighty Marching Hornets (264.35)
10. Grambling State University – World Famed Tiger Marching Band (259.50)
11. Tennessee State University – Aristocrat of Bands (258.80)
12. Alabama A&M – Marching Maroon and White (257.5)
13. Alcorn State University – Sounds of Dyn-O-Mite (257.75)
14. South Carolina State – Marching 101 (251)
15. Arkansas-Pine Bluff – Marching Musical Machine of the Mid-South (247.5)
    

Each program is evaluated in categories such as musicality, drill and design, percussion, auxiliaries, and drum majors.

The Stakes of the BOTY

The Red Lobster Band of The Year Championship will be held on December 12, 2025, inside Atlanta’s Mercedes-Benz Stadium, on the eve of the Cricket Celebration Bowl. Two Division I and two Division II HBCU bands will ultimately advance to perform on ESPN’s national stage, with each finalist receiving more than $100,000 in support for travel and accommodations.

John T. Grant, ESPN Events Executive Director, has emphasized the importance of the competition: “Every performance counts. Bands will strive to deliver their best every game, driving fan engagement and elevating music education across the HBCU landscape.”

For band programs, especially at the Division I level, making it into the Top 5 by November is crucial. A high ranking doesn’t just bring bragging rights; it can also influence selection for Atlanta and increase exposure for entire universities.

FAMU’s Perspective

While Florida A&M finds itself ranked fourth in the opening poll, its Marching “100” remains among the most respected ensembles in HBCU culture. Director of Bands Dr. Shelby Chipman underscored the pride and responsibility that comes with their legacy.

“It takes a lot of sacrifice and discipline, but these moments make it all worthwhile,” Chipman said. “The Marching ‘100’ thrives on honoring tradition while pushing the boundaries of what’s possible in HBCU band performance.”

His words echo the BOTY’s mission: elevating music education and showcasing the discipline behind every halftime show.

Key Categories to Watch

• Musicality: North Carolina A&T, Southern, and FAMU lead the way in tone, blend, and execution.
• Drill & Design: Bethune-Cookman’s Marching Wildcats topped this category thanks to their sharp formations and precision.
• Percussion: A&T once again led, backed by a strong drum line, while Southern and Prairie View A&M impressed as well.
• Auxiliaries: Southern’s Dancing Dolls dazzled, with North Carolina A&T’s Golden Delight  and Texas Southern’s Motion of the Ocean also scoring highly.

These categories demonstrate that excelling in one area isn’t enough; the best HBCU bands must balance musicality, visual presentation, and crowd engagement to stay at the top.

What’s New In 2025

This year’s BOTY competition introduces several changes aimed at raising the stakes. A preseason media poll launched in August gave fans and media outlets an early look at where bands stood in terms of perception before kickoff. For the first time, Metro Atlanta high schools will compete alongside HBCU bands, with the top two invited to perform in December.

Most importantly, the committee has stressed that making the Top 5 in November carries real weight. A band ranked fifth will now be given just as strong a consideration for Atlanta as those in the top two, with factors like alumni support, strength of schedule, and overall presentation considered in the final decision.

Looking Ahead

As the season progresses, Division I HBCU bands will continue to be evaluated, with rankings shrinking to a Top 10 in October and a Top 5 in November. That November cutoff is critical — bands that reach the top tier have the strongest shot at being selected for Atlanta.

With powerhouse programs like Southern’s Human Jukebox, FAMU’s Marching “100,” Jackson State’s Sonic Boom, and Grambling’s World Famed in pursuit, North Carolina A&T’s early lead will be tested every weekend. For the BOTY, it’s about more than music; it’s about heritage, excellence, and the unmatched vibrancy of HBCU culture.

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The moment wasn’t just another halftime show. It was a reminder of the bonds forged inside of an HBCU marching band family.

The Life of Caleb Wilson Jr.

The tribute honored Caleb Wilson Jr., a junior mechanical engineering major and trumpet player with the Human Jukebox who died on February 27, 2025. His death, linked to an alleged fraternity hazing incident, shook the Southern University community to its core. Investigations led to charges against several fraternity members, but the pain was more personal for those who marched beside Wilson.

He wasn’t just a student or a musician — he was family. The Human Jukebox, known worldwide for its thunderous brass and razor-sharp precision, is also a brotherhood and sisterhood. Losing Wilson meant losing one of their own mid-song.

Halftime Healing

Saturday’s tribute, performed during Southern’s 2025 home opener, gave the band and its community a chance to turn grief into something transcendent. The Human Jukebox spelled his name in massive letters across the field, a reminder that Wilson’s presence will echo every time the band plays.

The moment carried echoes of Mardi Gras earlier this year, when the Human Jukebox turned its route through New Orleans into a moving memorial. With black mourning bands across their signature “S” logos, they marched in Bacchus playing Stevie Wonder’s “Love Light In Flight.” That night, they transformed a street parade into a public vow: “For you, Caleb.”

More Than a Performance

The Human Jukebox has always been more than entertainment. Within HBCU culture, marching bands are storytellers, griots with tubas and snares, carrying joy, struggle, and tradition into stadiums and streets. On Saturday, their story was one of resilience.

They carried Wilson’s spirit note by note, step by step. It wasn’t just a tribute to a fallen member but a reminder of how deeply music binds the HBCU community. And as they marched off the field that night, leaving “Caleb” imprinted in the grass and in memory, one thing was clear: he will always be a big part of the Juke.

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Honoring a Trailblazer

The United States Tennis Association (USTA) committed itself to making the tribute a royal affair. Since 2020, the U.S. Open has incorporated HBCU Live — a showcase of historically Black colleges and universities — and Gibson’s milestone provided the perfect backdrop for a spotlight on FAMU.

On Friday, Aug. 22, the celebration began with the Beta Alpha Chapter of Alpha Kappa Alpha Sorority, Inc. — Gibson’s own sorority — performing in a special event hosted by Rashan Ali, with DJ Radio Champ providing the soundtrack. FAMU’s Women’s Tennis team, led by Head Coach Rochelle “Nikki” Houston, was also featured, linking Gibson’s legacy to today’s student-athletes.

The Marching “100” Takes Center Stage

The spotlight shined brightest on Aug. 27, when FAMU’s world-renowned Marching “100,” the reigning ESPN Band of the Year, electrified the Billie Jean King National Tennis Center. More than 100,000 fans entering the complex that day were greeted with five high-energy mini-performances strategically timed to coincide with peak entry periods.

Later that evening, the Marching “100,” alongside the FAMU cheerleaders, stormed center court at Arthur Ashe Stadium. Under the direction of Dr. Shelby Chipman and led by head drum major Oluwamodupe Oloyede, the contingent of 30 musicians delivered a dazzling performance that brought fans to their feet. President Marva Johnson, representing FAMU with pride, joined them on court, further cementing the presence of the HBCU at one of tennis’ grandest stages.

The performance drew loud ovations as fans clamored for the best vantage points. FAMU alumni in attendance swelled with pride, capturing the moment in photos with band members.

Culture at Every Corner

The infusion of FAMU culture extended well beyond the stadium floor. Throughout the day, celebrated FAMU DJs — including DJ Bo Weezy, DJ Nyla, DJ Toure, and DJ R-tistic — kept energy high in the Arthur Ashe Garden, while DJ Fly Guy commanded the sound inside the main arena.

The festivities culminated that evening with President Johnson and Drum Major Oloyede presiding over the ceremonial coin toss for the second-round match between Mattia Bellucci and No. 2 seed Carlos Alcaraz. Johnson’s toss favored Bellucci, but Alcaraz ultimately dominated the match in straight sets.

Gibson’s Spirit Everywhere

Tributes to Althea Gibson were inescapable. From towering posters and marquee displays to kiosks and keepsakes, her image and story were woven into every corner of the U.S. Open. The tournament’s official logo — an artistic blend of Gibson’s profile with center court at Arthur Ashe Stadium — adorned souvenirs ranging from mugs to posters.

In the Arthur Ashe Garden, visitors explored educational displays celebrating both HBCUs and Gibson’s decorated tennis career, ensuring that her trailblazing legacy resonated with fans young and old.

A Celebration Fit for a Legend

The 2025 U.S. Open was more than a tennis tournament; it was a tribute to HBCU culture. With the Marching “100,” FAMU cheerleaders, DJs, athletes, and leadership all present, the event underscored Althea Gibson’s enduring impact on tennis, HBCUs, and American history.

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The first two years of the competition have produced thrilling finales. Florida Memorial University (FMU) claimed the inaugural title in 2023, while Miles College took home the championship in 2024. Virginia State has been the runner-up in both years, and Winston-Salem State has twice finished in third place. That history of near-misses makes 2025 a season of redemption for both VSU and WSSU, who again find themselves in contention.

Poll Results: Florida Memorial Top D2 HBCU Band

Ballots for the inaugural Division II/NAIA Red Lobster Band of The Year media poll were distributed last week, and the results are in. Florida Memorial sits at No. 1 with 461 points, narrowly edging Virginia State with 439 and Miles College with 438.

Virginia Union and Langston round out the top five, while Winston-Salem State leads the second half of the top ten. Benedict, Tuskegee, Fort Valley State, and Fayetteville State complete the list.

Breaking Down the Categories

Bands are judged across musicality, drill and design, percussion, drum majors, and auxiliaries, and the early results show where each program shines.

• Musicality: Florida Memorial leads the way with a score of 96, followed by Miles and Virginia State.
• Drill and Design: Miles tops this category with 90 points, while Florida Memorial and Virginia State follow closely.
• Percussion: Florida Memorial again takes the lead with 96 points, edging Miles and Virginia State.
• Drum Majors: Florida Memorial continues its dominance here with 87 points, but Miles and Virginia State are not far behind.
• Auxiliaries: Florida Memorial earns another top mark with 92 points, followed by Virginia State and Miles.

Division II/NAIA Media Poll Top 10

1. Florida Memorial University (FMU) – 461
2. Virginia State University (VSU) – 439
3. Miles College – 438
4. Virginia Union University – 376
5. Langston University – 374
6. Winston-Salem State University (WSSU) – 368
7. Benedict College – 366
8. Tuskegee University – 356
9. Fort Valley State University (FVSU) – 354
10. Fayetteville State University – 351

The Road to Atlanta Tough At D2, too

If history is any indication, the battle for Atlanta will come down to the smallest of margins. Florida Memorial looks poised to reclaim its 2023 form, while defending champion Miles College aims to repeat. Virginia State, so close in each of the first two years, is determined to finally break through. Meanwhile, Winston-Salem State is once again in striking distance of its first championship berth.

The 2025 Division II/NAIA Red Lobster Band of The Year race promises the same drama and artistry that have made HBCU marching bands a cultural institution. With each halftime performance carrying national implications, this season will once again celebrate the pageantry, precision, and passion that define the HBCU band tradition.

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Carrying the Weight of Tradition

Taylor acknowledged that Southern lives under a microscope.

“When you think about Southern University, our band has always been critiqued harder than everybody else,” he said. “Every mistake Southern band makes is going to definitely be broadcast.”

While some programs can grow quietly, the Human Jukebox is constantly in the spotlight. Taylor said that scrutiny makes the climb to December more demanding.

“We’re everybody’s Super Bowl,” he explained.

Speaking of the Super Bowl, it’s an event that Southern University has performed at numerous times. Simply put, the band has got tradition and star power and holds an unmistakeable impact on the band world. Taylor says there are 13 current band directors who are Human Jukebox alumni. 

“This band definitely places a lot of music educators in positions. So when you think about, music education —  we have some phenomenal musicians here.”

Striving for Atlanta

For Taylor, getting back to Atlanta in December is still a goal.

“We would love to be there, to put on a show,” he said. “I definitely love the opportunity for our students to come back. Atlanta is a great place to perform.”

He added that the road to the Band of the Year finals is about sustaining excellence throughout the season.

“If we make it to Atlanta, it’s great,” Taylor said. “If not, there are other things that are going to be out there for us to do.”

(Scroll below for more on Page Two)

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For the third consecutive year, HBCU Gameday has partnered with ESPN Events to reveal the rankings from start to finish, giving fans an insider look at how their favorite programs measure up. The stakes are high, with bragging rights, legacies, and national titles all on the line.

A Legacy of Champions

The Red Lobster Band of The Year has already established a tradition of powerhouse matchups. In 2023, the inaugural Division I title went to the North Carolina A&T Blue and Gold Marching Machine, which defeated the Jackson State Sonic Boom of the South. One year later, the Florida A&M Marching 100 claimed the crown by outlasting A&T in a battle of two of the most storied names in HBCU band history.

That history sets the stage for 2025, where both past champions return in the hunt for another title.

Poll Results: NCAT Leads, JSU Close Behind

Last week, ballots were distributed for the inaugural Red Lobster Band of The Year media poll. The first results show just how competitive the season is shaping up to be.

North Carolina A&T tops the Division I standings with 585 points, narrowly edging Jackson State at 573 and Norfolk State at 570. Bethune-Cookman sits just behind at 567, while defending champion Florida A&M rounds out the top five with 531.

Other programs in the top ten include Alabama State, Southern, Texas Southern, Prairie View A&M, and Tennessee State.

2025 HBCU Division I Preseason Poll

Breaking Down the Categories

Bands were evaluated across multiple categories: musicality, drill and design, percussion, drum majors, and auxiliaries. The results highlight the depth and range of excellence across HBCU bands.

• Musicality: Norfolk State, North Carolina A&T, and Florida A&M each impressed judges, with scores of 122 apiece.
• Drill and Design: Florida A&M, Bethune-Cookman, and Southern each stood out for their precision and creativity.
• Percussion: Norfolk State led with 123 points, followed closely by Bethune-Cookman and Florida A&M.
• Drum Majors: Jackson State and North Carolina A&T tied for the top spot with 123 points each, while Bethune-Cookman and Norfolk State weren’t far behind.
• Auxiliaries: North Carolina A&T led the way with 121 points, followed by Southern and Alabama State.

The Road to Atlanta

With a razor-thin margin separating the top five programs, the 2025 season promises to be the most competitive yet. Every halftime show and field performance will count, as the bands push toward securing a spot in Atlanta.

The Red Lobster Band of The Year competition continues to shine a national spotlight on the artistry, tradition, and pageantry of HBCU marching bands—celebrating the music, movement, and culture that make them a cornerstone of HBCU life.

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Home Turf & Recruitment Focus
September begins with the NC A&T Student Organization Fair (Sept. 4) in Greensboro — a key recruitment tool for both the band and the university. The Blue and Gold Marching Machine will also support the football team at home against Hampton (Sept. 13) and North Carolina Central (Sept. 20), two major HBCU rivals.

NFL Exposure & National Spotlight

On Sept. 21, North Carolina A&T heads to New Jersey for a performance with the New York Giants, offering NFL fans a taste of HBCU band culture. The following weekend, they’re back in the national spotlight at the Capitol Battle of the Bands in Washington, D.C. (Sept. 28).

Community Engagement & Local Presence
October features a mix of high school performances — Southwest Guilford (Oct. 3), Smith (Oct. 4), and Dudley (Oct. 25) — highlighting North Carolina A&T’s strong community ties. HBCU football appearances include South Carolina State (Oct. 11) and Campbell University (Oct. 25). The band will also participate in the Gotham City Invitational in Fayetteville (Oct. 18).

Closing with Pageantry
November keeps the momentum going with Towson University (Nov. 1), the Veterans Day Parade in Wilmington (Nov. 8), Monmouth University (Nov. 15), and a trip to Elon University (Nov. 22). The fall wraps up with holiday parades in Mebane (Dec. 5) and Greensboro (Dec. 6).

From NFL stadiums to HBCU rivalries, North Carolina A&T’s 2025 Blue and Gold Marching Machine schedule blends national exposure with community tradition. Each stop reinforces the band’s reputation as one of the most dynamic and in-demand collegiate marching bands in the nation.

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Tougaloo and Jacktown signed a Memorandum of Understanding and lifetime contract on August 5. The agreement marks a major milestone in the college’s 155-year history.

Founded in 1869, Tougaloo College is a private, historically Black liberal arts institution just north of Jackson, Mississippi. Known for its strong legacy in social justice and civil rights, the school has produced generations of leaders in education, law, and public service.

However, unlike many HBCUs, Tougaloo does not sponsor a football program. That’s one reason it has never had a traditional marching band — until now.

HBCU band programs: More than music

“This is more than music,” said Dr. Latoya Haymer, the college’s Transformation Resource Officer. “We are expanding the heartbeat of this institution.”

The new band will play a major role in campus life. It will perform at school events, athletic games, and local parades. It will also compete on regional and national stages, bringing visibility to the campus.

As part of the deal, members of the Jacktown AllStar Band can apply for “JAB Scholarships.” These scholarships create a direct pathway to higher education at the HBCU.

Although Tougaloo doesn’t have a football team, this new program will bring the energy and excitement that marching bands add to the HBCU experience. For students, alumni, and supporters, it’s a long-awaited source of pride.

With this move, Tougaloo joins a growing list of HBCUs using music to build tradition, identity, and school spirit. The sound of progress is coming — and it’s coming with drums, horns, and high steps.

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The Setting: Deese Ballroom Sessions

Performed inside the acoustically rich Deese Ballroom on campus, the performance is part of the BGMM’s ongoing “Deese Ballroom Recordings 2025” series on YouTube—a visual-symphonic experience that’s been giving new life to R&B and hip-hop classics with the elegance only an HBCU band can bring.

The Legacy of Dru Hill and the Songs That Shaped a Generation

This time, they tapped into Dru Hill, a group synonymous with late-’90s and early-2000s R&B. Led by powerhouse vocalist Sisqó, Dru Hill helped define a sound that was both church-rooted and street-slick. Their tight harmonies and emotional grit gave us platinum hits like “Tell Me,” “How Deep Is Your Love,” and the tracks the BGMM just honored: “Beauty” (from 2002’s Dru World Order) and “Incomplete”, originally a Sisqó solo hit off his debut album Unleash the Dragon (1999).

“Beauty” never got the commercial flowers it deserved, but it became a cult favorite—romantic, intimate, and rich with feeling. “Incomplete,” meanwhile, topped the Billboard Hot 100 in 2000, with Sisqó shedding the “Thong Song” persona for a tender, vulnerable vocal that hit fans in the gut.

Social Media Reacts: HBCU Excellence on Full Display

Now, 25 years later, the Blue and Gold Marching Machine of North Carolina A&T has breathed new fire into both songs. With gleaming brass, soulful woodwinds, and precision percussion, they transformed Deese Ballroom into a sanctuary of sound. The internet responded accordingly:

“Black is beautiful ??????” – @tiffanybarrett3
“HBCU bands will remain undefeated! Incredible!” – @MichelleDisco78
“I can’t stop watching! ?” – @kimmykat31
“Absolutely amazing ??” – @musikhealsus

Dru Hill noticed. And approved. Their tweet—“BEAUTY X INCOMPLETE – Much love to @ncatsuaggies! ??”—was followed by a flood of emojis, fan reactions, and HBCU pride.

Bridging Generations Through Sound

This is more than just a viral video. It’s cultural inheritance, a representation of generations of soul music being reinterpreted through Black excellence. It’s what happens when a legendary R&B group and a powerhouse HBCU band link up—without even needing to meet in person.

And if BGMM’s past tributes are any sign, the “Deese Ballroom Recordings 2025” series is just getting warmed up.

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Weaver’s big moment came during the organization’s National Convention in Lexington, Kentucky, and he couldn’t be more proud. On Instagram, he called it a “perfect full-circle moment,” adding that it’s been 25 years in the making since he first wore those letters on-screen.

“I just want to publicly express that it is TRULY an honor to be a member who will proudly represent this prestigious fraternity,” he wrote.

In Drumline, Weaver’s character, Ernest, was a loyal bandmate and brother who joined Kappa Kappa Psi at the film’s end. That moment—etched into the memories of HBCU fans—has now become real life.

A Milestone for Weaver—and for HBCU Band Culture

Founded in 1919, Kappa Kappa Psi promotes leadership, service, and musicianship among college band members. The fraternity holds deep meaning in the HBCU community, where marching bands are more than halftime entertainment—they’re tradition, pride, and family.

Weaver thanked Dr. Donald Lee of South Carolina State University for helping make the honor a reality and gave his new fraternity brothers a heartfelt shout-out. “I’m so thankful, appreciative and HONORED to call you all my brothers,” he wrote. “I’ll definitely see all of you at other national conventions in the near future!”

More than just a celebrity moment, Weaver’s induction reflects the powerful impact Drumline had on elevating the culture of HBCU bands in the mainstream. His portrayal of Ernest wasn’t just a role but a celebration of loyalty, rhythm, and Black excellence.

Even more special? The honor came on Weaver’s birthday, making the moment that much more meaningful. “I’m bringing in my birthday this year on a very high note,” he shared. “This moment has been 25 years in the making… but it was well worth the wait.”

From the screen to real life, Jason Weaver’s journey is a salute to brotherhood, legacy, and the heartbeat of HBCU culture.

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The televised special Beyoncé: Cowboy Carter—Live from Houston aired on ABC and has been nominated for several Emmy Awards. The performance is up for Outstanding Variety Special (Pre-Recorded), Outstanding Production Design, Outstanding Sound Mixing, and Outstanding Music Direction. Beyoncé’s star power alone commands attention. The inclusion of TSU’s powerhouse band grounded the performance in tradition and elevated it to something iconic.

HBCU Culture in the Spotlight

For TSU’s Ocean of Soul, the stage wasn’t just a platform — it was a proclamation. Their presence on national television spotlighted the vibrant sound, precision, and pride that define HBCU marching bands. This wasn’t just halftime entertainment; it was a statement about artistry, discipline, and cultural heritage.

The band’s live performance with Beyoncé showcased the symbiotic relationship between Black musical traditions and mainstream artistry. It brought the energy of the HBCU experience into millions of living rooms, solidifying the cultural currency of HBCU bands on a global scale.

More Than a Moment

Texas Southern University’s involvement extended beyond the stage. Administrators and band members took in Beyoncé’s exclusive BeyGOOD suite during the performance weekend. Underscoring the growing relationship between the university and the superstar’s philanthropic arm.

That partnership came with tangible benefits. Through BeyGOOD’s Pursue Change initiative, TSU’s band department received a $100,000 grant. The funds will help fuel scholarships, improve recruitment and retention, and provide much-needed technology and infrastructure upgrades. It’s an investment in the future of Black excellence — and a commitment to keeping the Ocean of Soul flowing strong for years to come.

TSU: A Beacon in the Third Ward

Rooted in Houston’s Third Ward, Texas Southern University is a cultural cornerstone. With a legacy of producing leaders, artists, and changemakers, TSU continues to thrive at the intersection of education and empowerment. The university’s role in this Emmy-nominated performance is just the latest example of how HBCUs continue to shape the national conversation, influence pop culture, and uplift communities.

As Beyoncé’s Cowboy Carter performance draws national recognition.Texas Southern University stands proudly as a representative of the sound, soul, and spirit of Houston and of HBCU excellence across the nation.

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An HBCU Homecoming Rooted in Legacy

Davis, who graduated from Livingstone in 2011, was once a tuba player in the Blue Thunder. Now, he’s stepping into leadership with a clear mission: restore the storm and reestablish the band’s reputation for musical excellence.

“When I was a student here, we prided ourselves on excellence. That foundation shaped me. Now it’s time to pass it forward and raise the bar,” Davis said.

Proven Success as an Educator and Leader

Since earning his degree, Davis has become a respected music educator across the region. Most recently, he served as the band director at Mallard Creek High School in Charlotte. There, he revitalized the school’s jazz program and led students to perform at the National Jazz Festival in Philadelphia and New Jersey—a first-time experience for many of them.

“I took a group that didn’t think they’d ever get to that level—and they did. That’s the kind of transformative experience I want to bring to Livingstone.”

New Uniforms, Renewed Spirit

Davis joins Livingstone at a key moment. The HBCU band is set to debut brand-new uniforms, funded through generous support from alumni and community donors. With fresh resources and passionate leadership, Davis plans to build a competitive and well-equipped program.

He’s focused on excellence in every area—from halftime performances to concert ensembles. He also aims to elevate the band’s profile by building partnerships with regional high school programs and preparing the Blue Thunder for events like the HBCU Battle of the Bands.

“I want people to say, ‘Have you seen Livingstone?’ That’s the energy we’re bringing back.”

Building Musicians and Leaders at his HBCU

For Davis, it’s about more than just music.

“This program is about relationships, discipline, and high expectations. I want our students to carry themselves with integrity—on and off the field.”

Davis’s deep ties to Livingstone give him a unique edge. As a student, he was involved in nearly every campus music outlet: jazz band, symphonic band, gospel choir, and local ministry. That experience, he said, makes this role especially meaningful.

“It’s full circle. This campus shaped me, and now I get to shape the next generation.”

A Vision for the Future of Blue Thunder

Davis hopes to instill a standard of musical excellence without excuses.

“No matter the resources, you show up, you give your best, and you make no excuses. That’s the standard I want Livingstone to represent.”

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A Gift Rooted in Houston Pride

“We are deeply appreciative of the BeyGOOD Foundation for this significant demonstration of its commitment to empowering our student musicians and elevating their form of artistic expression,” said Texas Southern University President J.W. Crawford III.

For TSU, an HBCU with a rich musical tradition, this donation is about more than dollars. It’s a nod to the cultural impact of HBCU bands, whose soul, style, and precision have inspired audiences for generations.

The gift comes on the heels of the now-legendary “Beyoncé Bowl.” A Netflix-streamed Christmas Day halftime show during the Houston Texans-Baltimore Ravens game in 2024. Over 200 members of the Ocean of Soul graced the field alongside Queen Bey herself in a dazzling, high-energy performance that left millions speechless. It wasn’t just a halftime show—it was a love letter to Houston, Black culture, and the HBCU experience.

A Legacy of Excellence

“The Ocean of Soul is known for its signature sound, precision, and choreography,” said Band Director Brian Simmons. “Mrs. Knowles-Carter’s vision for the ‘Beyoncé Bowl’ challenged us to rise even higher, and our students met the challenge with energy, soul, and discipline. To be handpicked for this performance is a testament to the legacy of Texas Southern.”

For Simmons, the gift validates what HBCU bands have always represented—resilience, artistry, and a commitment to excellence.

More Than Music—It’s an Investment in Futures

This isn’t just about boosting the band’s sound. The $100,000 donation will fund scholarships for band members, support recruitment and retention efforts, and help upgrade the band’s infrastructure and technology. In other words, it’s a direct pipeline to opportunity, removing financial barriers for students who are as serious about their academics as they are about their craft.

“The BeyGOOD Foundation’s impactful investment affirms the powerful role that HBCUs play in shaping the next generation of artistic, academic, and cultural leaders,” said Charlie Coleman III, TSU’s Senior Associate Vice President of Development & Alumni Engagement. “This partnership does more than support the Ocean of Soul—it opens doors for our students to access the arts in life-changing ways, inspired by one of the most beloved artists of our time. It is a shining example of how philanthropy can uplift communities and ignite futures.”

Continuing a Legacy of HBCU Support

Beyoncé’s commitment to HBCUs is nothing new. Fans will remember her historic 2018 Coachella performance, dubbed “Beychella.” A full-throttle tribute to HBCU culture, from the marching bands to the step teams. That performance led to the Homecoming Scholars Award Program, which distributed scholarships to students at eight HBCUs.

This latest gift to Texas Southern University’s Ocean of Soul shows that Bey’s dedication isn’t just performative—it’s deeply personal.

More Than a Moment

For the students of the Ocean of Soul Marching Band, the impact of this gift will reverberate far beyond the football field or halftime shows. It’s about the doors it opens, the burdens it lifts, and the inspiration it fuels.

It’s a reminder that when one of the biggest stars in the world chooses to pour back into her community, especially into the heartbeat of HBCU culture—the marching band—the message is clear: Black excellence deserves to be funded, celebrated, and sustained.

Beyoncé often reminds the world through her music and actions, “When you love something, you don’t let it go.” And her love for HBCUs, her hometown of Houston, and the Ocean of Soul continues to shine.

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On June 11, 2025, Benedict College announced Dr. Brendan L. Johnson as the new Director of Bands. A move that signals a push to restore the BCBOD to elite status. Not just among Division II HBCUs, but on the national stage.

“I am deeply honored and humbled to join the Benedict College family,” Johnson said. “This institution has a rich tradition of academic excellence, cultural pride, and musical heritage. I’m excited to build upon that legacy and elevate our band program to new heights.”

A Legacy to Uphold… and Rebuild

Not long ago, the BCBOD was the gold standard in Division II. Back in 2021, ESPN’s The Undefeated ranked Benedict the No. 1 HBCU Division II marching band two months in a row, topping categories like musicality, drum majors, drill design, and percussion.

“It is indeed an honor to once again be voted the No. 1 HBCU Division II marching band in the country. We accept and wear this title as a badge of honor,” former Director of Bands H. Wade Johnson said at the time. “Each day, we strive to be better and consistent as we continue to build our musical legacy at Benedict College.”

But as the rankings make clear, the HBCU band world doesn’t give passes for past glory. The same rigorous panel of current and former SWAC, MEAC, CIAA, and DII directors that applauded Benedict in 2021 had dropped them entirely from the top 10 by 2024. One flat show, one slip in execution, and the rankings shift. Staying on top takes relentless excellence.

The Passing of a Baton (Literally)

Dr. Brendan Johnson steps into massive shoes. His predecessor, H. Wade Johnson, wasn’t just a band director—he was an icon. A South Carolina State University graduate with advanced degrees from VanderCook College of Music. Wade Johnson combined music education with star-level performance credentials. He shared stages with legends like Fred Wesley, Maceo Parker, the late Dizzy Gillespie, the Marsalis family, and even The Temptations.

Oh, and for those who didn’t know—Wade Johnson is famously able to play two trumpets at once. Yeah. He’s that guy.

The New Era: Dr. Brendan L. Johnson

Benedict’s leadership went nationwide for this hire, ultimately landing a band director whose resume screams builder.

At Darlington High School, Dr. Johnson didn’t just maintain the program—he tripled it, growing from 75 to 225 members and making it one of South Carolina’s largest and most dynamic high school bands.

His academic pedigree matches the ambition. A proud dual graduate of Bethune-Cookman University (another HBCU powerhouse). Johnson holds degrees in Music Education and Liberal Studies, plus a Master’s in Education from Anderson University and a Doctorate from the University of Southern Mississippi.

And, yes, his leadership skills extend beyond the podium. While at Bethune-Cookman, he made history as the third-ever Mr. Bethune-Cookman University, a title that speaks volumes about his blend of charisma, discipline, and presence.

Bigger Vision, Bolder Moves

Johnson isn’t shy about what comes next.

“My vision for the Benedict band is to be a beacon of excellence, known for musical artistry, powerful performances, and strong academic achievement,” he said. “I intend to establish Benedict as one of the premier band programs in the nation by expanding our recruitment footprint regionally and nationally.”

That’s not just talk. Johnson plans to partner with admissions, alumni, and music educators nationwide to attract top talent. Students who can hold their own both on the field and in the classroom.

Benedict President Dr. Roslyn Clark Artis echoed that sentiment: “His passion for music education, commitment to student success, and visionary leadership embody the distinctive spirit of the BEST of BC. We look forward to seeing our Band of Distinction flourish under his guidance and continue to set the standard for excellence, creativity, and Tiger Pride on and off the field.”

As Dr. Johnson takes the helm, the Benedict College Band of Distinction isn’t just looking for a comeback. They’re aiming to reclaim their crown—and redefine what a Division II powerhouse looks and sounds like.

The Tiger drumline’s about to hit different. Believe that.

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Following in the Footsteps of a Trailblazer

Cori Bostic, the first female drum major in the Marching “100,” paved the way and has become one of Dupe’s most vocal supporters. Their shared bond highlights the growing legacy of women leading at the highest levels in HBCU marching bands.

A Natural Leader from the Start

Dupe began her drum major journey at Southwest DeKalb High School, one of the largest feeder programs into the Marching “100.” Her prior leadership experience made her a standout candidate when she joined the Marching “100” as a drum major last season.

Although her primary instrument is the saxophone, it was her presence and poise on the field that caught attention. Staff and fellow members weren’t surprised when she was named head drum major for the upcoming season.

Dupe Embraces the Moment

“I’m really excited for the season. I’m blessed and honored because I know what this role means—and how much work it requires,” Oloyede said. “But with all the encouragement and support I’m getting, I feel ready.”

She added, “This year, coming off the Marching ‘100’ being named ESPN’s Band of the Year in 2024, we’re coming in strong. I’m confident in my ability and in my squad’s ability to take the season by force.”

Strong Leadership for a Demanding Season

Dr. Chipman shared his excitement about the HBCU band’s leadership team during a private Zoom call with band alumni. This year’s band is expected to hit the ground running with a high-profile start to the season.

“We’ll perform at the Pepsi Battle of the Bands in Texas, send a pep band to the U.S. Open in New York to honor Althea Gibson, and end that week in Miami at the Orange Blossom Classic,” he said.

As head drum major, Dupe represents not only excellence on the field but also off it. “We look for someone who exemplifies discipline, communication, and a deep understanding of our traditions,” Chipman explained.

From Blending In to Taking the Spotlight

Last season, Dupe was proud that many couldn’t distinguish her from the other drum majors—she wanted to be part of the team, not defined by gender. This year, however, she steps into a new spotlight.

With media interest certain to grow, Dupe understands the gravity of her role. “There’s no blending in when the band can’t move until your whistle blows,” she said.

Preparing for a Historic Start

This August, the Marching “100” will perform in three different states. Oloyede knows the importance of being in mid-season form even before the football season officially starts.

“Our strategy is to prepare early and work efficiently,” she said. “The leadership corps, including the executive board and the new COO student leader, are focused on detailed planning before the season begins.”

Pressure and Purpose

Dupe doesn’t take the weight of being “the first” lightly.

“I know the pressures are real, but I use myself as my competition. If I focus on the odds, I’ll fail. But if I focus on improving and understand the greater purpose, I’ll do better,” she said.

She added, “Even if I didn’t have the support, I’d still be amped. Last year I proved it’s possible. This year, I’m here to dominate—and shut the haters up.”

A New Era for the Marching “100”

Cori Bostic sees this moment as part of a larger HBCU band movement.

“For the first time in Marching ‘100’ history, the top three student leadership positions—Head Drum Major, Band President, and Assistant to the Band Director—are all held by women,” Bostic noted. “Dr. Chipman’s leadership has pushed the band into new territory.”

For Bostic, watching others soar is a reward in itself. “Traditions evolve. There’s no better feeling than seeing those who come after you reach higher.”

Drum Major Brotherhood Stands Behind Her

Support has poured in from the FAMU Marching “100’s” close-knit fraternity of former drum majors. One of them, Victor “Batman” Gaines, praised Dupe’s selection.

“In a time when qualifications are questioned, Dupe has earned her spot. She’s focused, inspiring to young girls, and backed by those who came before her,” he said.

What’s Ahead for FAMU’s Iconic Band

This year, FAMU’s Marching “100” will feature seven drum majors—two returning and five new. Dr. Chipman emphasized the importance of selecting leaders who embody the values of the HBCU program.

“When I choose drum majors, I’m looking for someone who could speak on my behalf and represent the university well,” he said.

With 230 returning students and an energized leadership team, expectations for the Marching “100” are high. The band is poised for one of its most dynamic seasons yet.

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The budget approved by trustees Thursday includes $218 million in Education and General funds. The Foundation previously admitted that it might have to move funds around to support the pay rate for incoming president Marva Johnson — and speculation has been high that it could include funds that might otherwise go to the award-winning HBCU marching band. 

“The Marching 100 has always about excellence, pride, and setting the standard. But right now, morale is low,” Marching 100 member Chloe Waites told the FAMU Board of Trustees. “Students feel unseen and unsupported,”

“To sacrifice resources that could provide for hundreds of students to benefit one faculty member is in direct contradiction to our slogan of college and love, and charity,” Marching 100 member Hasim Smith told the BOT. 

Jamal Brown, a member of the FAMU BOT and faculty senate president, attempted to reassure the students. 

“Your sentiments about scholarships, mold, and the things that you need are valid,” he said. “You need to be heard, your concerns are taken. We care about you, so I’m sorry for the confusion, but this is not what’s accurate.”

HBCU marching bands are pillars of pride in general and The Marching 100 is certainly an institution at FAMU. It is an essential part of branding for the university, so it is no surprise that apprehension over its funding is making waves.

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“It is with profound sadness that we announce the passing of Charles Goodwin III. An assistant director of the Mighty Marching Hornets,” Alabama State University said in a statement. “His passion, leadership, and dedication to Alabama State University’s musical excellence left an indelible mark on generations of students and the Hornet Nation.”

Goodwin was more than a music educator. He was a respected figure across the HBCU band circuit. His influence stretched beyond the campus grounds of ASU. Reaching into stadiums, halftime shows, and battle-of-the-bands competitions where the Mighty Marching Hornets routinely stood as a symbol of discipline, artistry, and excellence.

Educator, musician, and mentor

“Mr. Goodwin was a dedicated educator, musician, and mentor whose passion and commitment left an indelible mark on the ASU community,” said WSFA 12 News in Montgomery. “His legacy will continue to resonate through the music, spirit, and excellence he helped inspire.”

The Mighty Marching Hornets have long been a pillar of both Alabama State University’s tradition and Alabama’s broader cultural identity. Known for their precision drills, dynamic musicianship, and high-energy performances. The band is considered one of the elite ensembles in HBCU culture. Goodwin played a critical role in shaping its identity, mentoring countless students along the way.

In a show of unity that speaks volumes about the bond shared among HBCU bands. Even traditional rivals have extended their condolences. Southern University’s Human Jukebox band—one of the fiercest on-field competitors to ASU’s band—released a heartfelt message of support.

“With heartfelt sympathy, we extend our deepest condolences to the Alabama State University Mighty Marching Hornets, their students, staff, and the entire community as they mourn the loss of Assistant Band Director, Mr. Charles Goodwin III,” the statement read. “On behalf of the Southern University Band family, our thoughts and prayers are with you. May his legacy continue to inspire all who had the honor of knowing him.”

As the Hornet Nation grieves the loss of a beloved leader. Charles Goodwin III’s impact will continue to live on in the sounds of every cadence, halftime performance, and parade the Mighty Marching Hornets lead. His music—and his memory—endures.

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A native of Washington, D.C., Diggs is a graduate of Crossland High School and Morgan State University. At Morgan State, he served as a four-year drum major and led the Eta Gamma chapter of Kappa Kappa Psi. These early experiences laid the groundwork for his career in music education.

Career in Music

Diggs began his career in Charlotte, North Carolina, where he founded the district’s only middle school marching band. Later, he revitalized the Hopewell High School band, growing it from 16 to 140 students. His leadership earned multiple Grand Champion titles and national recognition.

After returning to Morgan State, Diggs worked alongside legendary HBCU band directors Dr. Melvin Miles and Dr. Jorim Reid. Together, they helped prepare the Bears for their first-ever appearance at the prestigious Honda Battle of the Bands.

At Lincoln University of Missouri, Diggs served as Director of Bands, where he tripled the size of the Marching Musical Storm. He also introduced innovative curriculum development that strengthened the program’s educational foundation. His achievements at Lincoln earned him respect throughout the HBCU music education community.

In addition to his professional accomplishments, Diggs holds a Master’s degree in Curriculum and Instruction from Gardner-Webb University. He is currently pursuing a Doctorate in Music Education at Boston University, with a focus on research examining equity in music education between Historically Black Colleges and Universities (HBCUs) and predominantly White Institutions (PWIs).

Now, at Delaware State, Diggs brings his extensive experience and forward-thinking approach to The Approaching Storm. He is committed to upholding the band’s legacy of excellence while also fostering a culture of discipline and musical innovation.

Delaware State University’s appointment of Diggs marks a new chapter for The Approaching Storm Marching Band. With his leadership, the program is poised for growth and continued success.

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The Emmy was awarded at the 45th Annual Sports Emmy Awards in New York City, where students Loren Sullivan, Verbon Muhammad, Sydney Cuillier, Ashley Lovelace, and Eric White—collectively known as “The Dream Team”—were recognized for their work. Their short film highlights the intense physicality, precision, and passion required to be a part of the Human Jukebox, reframing the band not just as halftime entertainment, but as athletes in their own right.

Produced through a national $40,000 HBCU sports broadcasting grant competition sponsored by The Coca-Cola Company and the Foundation of the National Academy of Television Arts & Sciences, The Hidden Sport pushes the boundaries of how we define athleticism. With powerful interviews, dynamic visuals, and a culturally resonant narrative, the film shows that marching band demands the same grit, endurance, and discipline as any sport.

The Emmy win is a milestone for HBCU students and a powerful reminder of the cultural force that is the Human Jukebox. The students plan to use part of the grant funds to support scholarships and enhance resources for the Human Jukebox Media Team, continuing the cycle of excellence and legacy at Southern University.

Congratulations to Southern University, the Human Jukebox, and the Emmy-winning student filmmakers for proving that when it comes to telling our stories, HBCUs continue to lead the way.

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HOUSTON, TEXAS – At today’s press conference at NRG Stadium, Webber Marketing, in collaboration with the Harris County—Houston Sports Authority and Lone Star Sports & Entertainment, unveiled the plans for the 2025 PEPSI® National Battle of the Bands (NBOTB). Building on last year’s milestone 10th anniversary energy, this year’s event promises an even more powerful celebration of HBCU musical excellence, cultural pride, and community engagement.

The 2025 PEPSI National Battle of the Bands returns to Houston on Saturday, August 23, at NRG Stadium. Official events kick off Friday, August 22, and the event celebrates the best in band culture, youth talent, and community impact.

“Each year, we strive to elevate the platform and the experience,” said Derek Webber, CEO of Webber Marketing and Executive Producer of the National Battle of the Bands. “NBOTB is more than a performance. It’s a movement that celebrates tradition, talent, and the cultural impact of HBCUs across the country.”

This year’s featured band lineup includes:

• Alabama A&M University – Marching Maroon & White
• Albany State University – Marching Rams Show Band
• Florida A&M University – Marching “100”
• Jackson State University – Sonic Boom of the South
• Langston University – Marching Pride Band
• North Carolina A&T State University – Blue & Gold Marching Machine
• Prairie View A&M University – Marching Storm
• Texas Southern University – “Ocean of Soul”

We’re excited to welcome the 2025 National Battle of the Bands back to Harris County for another unforgettable year,” said Ryan Walsh, CEO of the Harris County-Houston Sports Authority. “This event brings incredible energy, talent, and tradition to our community. And we look forward to hosting fans and bands from across the nation at NRG Stadium.”

“PepsiCo has long supported HBCUs—honoring the rich cultural traditions they uphold, like the National Battle of the Bands. With many of our own employees being HBCU alumni. We see today’s students as the heartbeat of our future, and we’re proud to champion their passions and preserve their legacy,” said Kent Montgomery, Senior Vice President, Industry Relations.

2025 NBOTB Weekend Highlights Include:

• Emerging Experience Entrepreneur Conference: Powered by JPMorgan Chase, connecting innovators and small business leaders. Free with registration.
• Fan Experience (Saturday, August 23 at NRG Center from 12:00 – 3:30 p.m.):
  A free, community-focused event that brings the energy of the NBOTB weekend to life. The Fan Experience houses the following major activations:
• The Pepsi Experience: An interactive experience with national artist performances, live entertainment, and a vibrant marketplace of vendors and partners.
• HBCU College & Career Fair: A resource-rich event that connects students with HBCUs and career opportunities through admissions info, on-site reps, and more.
• Stroll Off Competition: A dynamic showcase of step and stroll culture, celebrating Black Greek Letter Organizations and HBCU tradition.
• NBOTB Cares Community Outreach: Giving back through initiatives such as Feeding the Homeless and youth engagement.

The NBOTB Hall of Fame. Which returns this year, honors individuals who have significantly contributed to the legacy and success of HBCU marching band culture.

For tickets, event details, and more information about the 2025 Pepsi National Battle of the Bands. Please visit our official website at www.nationalbattleofthebands.com. Stay in rhythm with the latest updates and announcements by following us on social media. @NationalBattleOfTheBands on Facebook, Instagram, TikTok, and YouTube. @NationalBOTB on Twitter.

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The competition, open to all collegiate-level marching bands, challenges programs to craft unique and dynamic performances of Metallica’s music. Bands that enter will receive access to a full library of sheet music arrangements provided by Hal Leonard via SheetMusicDirect.com. Among the songs available are “Enter Sandman,” “Master of Puppets,” “One,” and “Fade to Black,” along with newly added selections such as “Until It Sleeps.”

The competition is divided into three categories: Division I, Divisions II and III, and a Fan Favorite category. HBCU bands, known for their tradition, showmanship and musical excellence, are eligible to compete across all divisions.

The top prize for a Division I program includes a $50,000 equipment grant and the chance to record a Metallica song along with the EA SPORTS College Football theme. The recordings will be featured in the upcoming EA SPORTS College Football video game.

Additional cash prizes include $25,000 for second place and $10,000 for third in Division I. Division II and III schools will compete for $40,000, $20,000 and $10,000 respectively. One fan-selected band, regardless of division, will win a $10,000 Fan Favorite award.

Finalists will be selected by a panel of professional judges, with Metallica’s members choosing the ultimate winners. Fan voting will determine the Fan Favorite winner.

The competition represents a high-profile opportunity for HBCU bands to gain exposure and resources while performing on a national stage. With more than $165,000 in total prizes available, the challenge could provide a major boost for participating band programs.

More information and submission guidelines are available through Metallica’s official website.

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803Fresh, born and raised near Orangeburg in Wagner, SC, live-streamed on social media from the SCSU football field. “Iconic man, South Carolina State. Do you see that? (pointing to the scoreboard) Do you see the middle of that field? Do you know how much history has down here, man?” His humble pride was evident as he stood in the heart of one of South Carolina’s most historic HBCUs. “And for a little small old me, (from) a little small town called Wagner, South Carolina. It’s definitely different for me.”

Breakout Single

The artist’s breakout single gained traction through the “where them fans at?” trend—a call-and-response dance rooted in the celebratory spirit of Southern Black gatherings. Its catchy beat and commanding lyrics quickly became an anthem at Black trail rides, a growing cultural phenomenon that blends horseback riding with music, food, and community celebration. TikTok challenges and fan videos from events across the South cemented the song’s viral reach.

“Boots on the Ground” isn’t just a song—it’s a movement. With fans waving custom-printed church fans and stomping to the beat, the anthem echoes the soul of Southern Black traditions. “I’m just proud to be one of the representatives for South Carolina is actually doing something that’s positive. Man. We definitely promote peace. We promote positivity, man. So very overwhelming.” 803Fresh said on-site. “It’s overwhelming to see everybody that is showing up to support—it is dope.”

Marching 101’s thunderous brass and percussion brought the track to life in true HBCU fashion. “They got the band doing what they do. Come on, man,” 803Fresh exclaimed. He also joked about wanting to attend the HBCU while acknowledging the legacy of SCSU: “I wanted to come to State, but the way my bank account was set up, I couldn’t get it like that, so shouts out for them having me today, man. ”

The shoot concluded in Batesburg-Leesville, SC, but not before 803Fresh paid homage to the South Carolina State University community. “They gave me a hat, so I feel like I went here… I feel like alumni myself.”

As Black trail rides continue to gain national attention and HBCUs shine brighter in pop culture, 803Fresh’s ‘Boots on the Ground’ stands as a proud intersection of both movements.

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Indio, CA — Florida A&M University’s incomparable Marching 100 stormed the Coachella stage alongside hip-hop titan Travis Scott in a seismic performance that blended the raw energy of HBCU band culture with the arena-level spectacle of modern rap. Think Astroworld meets the halftime show at the Orange Blossom Classic – or something like that.

In the desert moonlight, against a backdrop of fireballs, smoke plumes, and pyrotechnics, Scott recited the lyrics to his smash “Goosebumps” before pausing to introduce FAMU’s Marching 100 as the “greatest band” to a screaming audience of tens of thousands.  

From the shadows, they emerged cloaked in desert-drab uniforms with a smooth yet military-like cadence in sync with the music; the Marching 100 didn’t just walk onto the stage—they took the stage. Horns blasted, and their fierce arrangement of Scott’s “4×4” helped turn the Indio sands into a pulsing mosh pit. It was a statement. The Marching 100 was not the status quo.

“This moment was bigger than a stage—it was a cultural crossroads,” said Shelby Chipman, Ph.D., director of the Marching 100. “We brought our signature style and precision to one of the biggest musical stages on earth, and we certainly appreciate Tavis Scott and the production team for this opportunity.”

The road to Coachella started in February when Scott tossed a challenge to the universe via X (formerly Twitter): any HBCU band bold enough to take on his brass-heavy anthem “4×4” could earn a spot at Coachella—and possibly more. Florida A&M didn’t blink. They seized the moment and, on Feb.15, posted their version to Instagram. Their clip exploded—6,500+ likes, 5,000 shares, and over 570 comments. La Flame himself told the band members how much he enjoyed their content.

By March, it was official: 26 students from FAMU’s Marching 100 were headed West.

For a band with an impressive musical resume that includes the Super Bowl, Grammy’s, Michael Jackson, Jamie Foxx, and a global flex at the Louis Vuitton Men’s Fashion Show in Paris – Coachella was uncharted territory. They were standing beneath the lights of one of the world’s most iconic music festivals, where mega-stars Cardi B, Teyana Taylor, Victoria Monet, and Travis Barker were in attendance.

But sophomore sousaphone player Kimoni Coleman Bryant didn’t flinch. “It was unreal. When we came out on stage, everything went blank. I was just like, ‘Wow, I’m here.’ No mistakes, no nerves, no nothing, just perform,” he said.

The Pompano Beach native shared that his confidence received an extra boost from Scott—who didn’t just co-sign the Marching 100 but poured into them during back-to-back grind sessions: two days in Phoenix and one day in California.

“He just wanted us to be great. He wanted us to believe in ourselves. He really, really believed in us, and he really let us know that he believed in us. And that’s one thing I will always appreciate about Travis Scott,” said Coleman Bryant, an aspiring professional musician who wants to travel the world like the artists at Coachella.   

Scott, in full rager mode, delivered hits like “F!EN” and “Skyfall” from a rotating circular platform in the middle of the crowd. The Marching 100 matched his signature chaotic style, making it known that they could perform with any artist in any arena on any day. Their sound was rebellious and majestic, steeped in decades of tradition but boldly fresh.

“These young men and women of the Marching 100 didn’t just represent FAMU—they carried the legacy of every HBCU with them; every dream, every sacrifice, and every ounce of excellence we instill on the highest of seven hills,” said Interim President Timothy Beard, Ph.D. “Moments like this remind me why we do this work. I am incredibly proud of their performance and even more so of the way they represented our band program, their families and Rattler nation.”

For Coleman Bryant, this was more than a performance. It was a reward for fulfilling a childhood goal he set for himself.   

“This is a big blessing. I’ve been waiting my whole life to be a part of the Marching 100. I love this band. I’m in love with this band and want to continue to see where this thing is going. I’m very excited about the future of our program and this band,” he said.

And “this band” brought their excitement to the 70-minute set where Scott displayed his arsenal of hits like “SICKO MODE,” and delivered his verses featured on Playboi Carti’s “MUSIC.” Even Jackson State University’s Sonic Boom was in on the action, helping to create a genre-blending blast.

“I just want to thank all the Rattler supporters who have been out there on social media giving kudos to our students. The band serves as an ambassador for the university and the students put it all on the line—bringing character, musicianship, and our signature sound,” said Chipman. “We look forward to similar opportunities to represent HBCU excellence on mainstages throughout the globe.”  

For a festival that prides itself on pushing boundaries, FAMU’s performance didn’t just raise the bar—it rewrote it. Stay tuned for the next chapter as the Marching 100 returns to the desert with Scott at the Empire Polo Club on Saturday, April 19, striking the Coachella stage at 11:40 p.m. PST / 2:40 a.m. EST.

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Taking the stage late Saturday night, the Houston rapper transformed the desert into his own Astroworld, complete with elaborate visuals, a towering stage setup, and a mosh-pit-ready crowd. Opening with “HYAENA” from his Utopia album, Scott wasted no time sending his fans into a frenzy.

The Marching 100 and Sonic Boom of the South performed an original arrangement of Travis Scott’s “4X4” for his Coachella intro. The record features a sample from Tennessee State University and the Aristocrat of Bands, and features The Marching Storm from Prairie View A&M in the music video. Both FAMU and Jackson State responded to Scott’s open invitation in February for an HBCU band to perform a horn arrangement for Coachella.

It was quite the day for the Marching 100, our Vaughn Wilson reports that the other half of the band was at Bragg Stadium on campus Saturday night performing with line dance king “Cupid.”

Back in the desert Scott blended fan favorites like “SICKO MODE,” “goosebumps,” and “Antidote” with newer tracks, including unreleased snippets that sent fans into a frenzy. Pyrotechnics, fire bursts, and surreal lighting elevated the experience, while guest appearances—rumored to include Don Toliver and Playboi Carti—added to the hype.

Scott also paid homage to the late Virgil Abloh with a heartfelt shoutout and visuals honoring the iconic designer. The crowd, a sea of phones and raging fans, stayed locked in for the entire set, proving his grip on festival culture is as strong as ever.

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Louisiana Attorney General Liz Murrill has threatened legal action against Boosie. Asserting that Wilson’s family was neither informed nor gave consent for the use of Caleb’s name and image in promoting the event. Murrill stated, “Caleb Wilson’s parents have advised me that they have not given consent and know nothing about their son’s name and image being used to promote this event.”

In response, Boosie took to social media to express his frustration and intent to counter the legal threats. He emphasized that his event had been planned and promoted well before Wilson’s untimely death, making it impossible for him to have exploited the tragedy for promotional purposes. Boosie stated, “MY EVENT WAS PROMOTED ON EVENTBRITE SINCE NOV 14. THIS INCIDENT HAPPENED A WEEK BEFORE MY EVENT WAS TO TAKE PLACE?? HOW THE F*CK CAN I CAPITALIZE OFF SOMEONE DEATH FOR A CONCERT. ”THAT AINT ME.”“

Boosie further claimed that he had attempted to contact Wilson’s family to offer financial assistance but faced obstacles in establishing contact. He posted, “IVE BEEN TRYIN TO GET YALL 20k SINCE IT WAS BROUGHT TO MY ATTENTION ??T HE UNIVERSITY, NOONE WANTS TO PUT US CONTACT??”

Boosie Defends His Impact on the Community

Beyond defending himself against the legal threats, Boosie also highlighted his positive influence on Baton Rouge and the surrounding community. In a passionate response directed at Murrill, he wrote:

“GENERAL LIZ MURRILL U CAN CALL ME TOO. THE REVENUE I BRING TO THE CAPITOL CITY IS UNMATCHED. THE FUN N EXCITEMENT IS UNMATCHED. NO VIOLENCE 6 YEARS IN A ROW AT MY EVENTS. NOT EVEN A FIGHT N A CITY THAT MURDERS EVERY WEEKEND. INSTEAD OF TRYING TO BRING ME DOWN N TAKE FROM ME. MAYBE YALL SHOULD ALLOW ME TO BE PUT N POSITIONS TO MAKE A CHANGE N THE CITY.”

Boosie emphasized that his annual festival, which attracts thousands of attendees. Has remained violence-free for six years—something he sees as a stark contrast to the crime rate in Baton Rouge. His remarks suggest that rather than facing legal challenges. He should be recognized as a force for positive change in the city. Especially for HBCU students and alumni who benefit from the event’s economic and cultural impact.

A Divisive Debate in the HBCU Community

The controversy has sparked a wider discussion on social media, particularly within HBCU circles. While some argue that Boosie’s intentions were honorable. Others believe he should have obtained explicit permission from the Wilson family before using Caleb’s name in connection with the event.

No formal lawsuit has been filed as of the publication of this article, but the situation underscores the importance of communication and consent when honoring individuals posthumously.

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“I graduated from Jackson State University, and their band is the Sonic Boom of The South, the best marching band in the entire world,” Tillman told TV Guide. “This is an opportunity to highlight my culture, to highlight the significance of HBCUs — the marching bands, the showmanship, the pageantry, the discipline, the excellence, the Black joy.”

Tillman’s passion for authenticity was evident in his dedication to making the scene as true to HBCU culture as possible. “I’m a perfectionist. I kind of grind, because I want to get it pristine,” he said during Severance’s PaleyFest panel in Los Angeles. “I picked up on it very, very quickly.”

HBCU inspiration

The inspiration came from years of watching bands like Jackson State University’s Sonic Boom of The South, Bethune-Cookman, and Florida A&M. “I was in the marching band in high school. It is different from HBCU. But because I went to Jackson State University, I had the Sonic Boom of the South. Spent so much time watching them. I had to go back and look at the tapes,” Tillman told Us Weekly. “I was watching Bethune-Cookman and Florida A&M to get inspiration, and I hope I did them justice.”

Tillman’s journey to Jackson State University began after transferring from Xavier University of Louisiana following Hurricane Katrina. He switched his major to mass communication and graduated summa cum laude in 2008. His time at JSU, surrounded by the excellence of the Sonic Boom of the South, became the foundation for the sequence featured in Severance’s finale.

“These are stories that I dealt with myself being in corporate America or just being Black. So I wanted to bring credence to it and be very cautious of how we did it. It was a risk, and I’m glad that we had the license to be free and explore and let it be authentic,” he told Us Weekly.

The performance was more than a scene; it was a declaration of HBCU culture’s excellence. As Tillman continues his acting journey. He remains committed to uplifting his roots and honoring the legacy of institutions like Jackson State University.

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Louisiana Attorney General Liz Murrill has announced her intention to pursue legal action against hip-hop legend Boosie Badazz for allegedly misusing the name and image of HBCU band member Caleb Wilson. The Southern University student died earlier this year in an alleged hazing incident. Boosie, a Baton Rouge native, had planned to honor Wilson by establishing a scholarship in his name. Funded by proceeds from his annual Boosie Bash music festival.

According to Murrill. Wilson’s parents were unaware of their son’s association with the event and did not consent to the use of his name or image in promotional materials. They have requested the removal of all references to Caleb from the event’s promotions. Murrill emphasized that the family’s understanding was that Boosie intended to contribute to an existing scholarship fund at Southern University. Without linking it to the for-profit event.

Louisiana Attorney General Liz Murrill speaks to WBRZ

“They have requested that his name, image, and any reference to a scholarship for him be removed from all promotional materials,” Murrill said, as Louisiana First News reported on behalf of Caleb Wilson’s parents. Murrill continued to say that the late Southern University student’s parents did not consent to their son’s likeness being used in “for profit” promotion.

WBRZ spoke with Murrill and reported that the family’s understanding was that Boosie wanted to start a band scholarship fund at the HBCU. Stating that he wanted to put money into starting a scholarship more than a week ago. And the discussion did not include the event.

“All of this apparently came together in a very short order. And I think the promoters saw an opportunity to promote the event on the backs of people who just suffered an unimaginable loss,” Murrill told WBRZ. “It is just disgusting; they owe the family an apology. If they wanted to do this, the first people they should have asked was the family. Nobody has made any effort to put money in the scholarship, Boosie hasn’t even funded any of it.”

Additionally, WBRZ reached out to Boosie’s camp for a response to the statement released by the AG’s Office. WBRZ reported that Boosie’s camp stands by the interview that they gave to the ABC-affiliated television station in Baton Rouge, Louisiana, on Friday.

Boosie Bash

Boosie, whose real name is Torence Hatch Jr., announced the Caleb Wilson Memorial Scholarship during the sixth annual Boosie Bash. A three-day rap festival held at Southern University. The event featured artists like GloRilla and DaBaby and was promoted as a fundraiser for the scholarship. In an interview, Boosie stated that he collaborated with Wilson’s father and others to establish the scholarship. Aiming to support future band students at the HBCU.

However, Murrill contends that connecting Wilson’s name to the event without the family’s consent constitutes a “dramatic misrepresentation and misappropriation” to support a for-profit endeavor. She criticized the promoters for exploiting the family’s tragedy for promotional purposes. Stating that Boosie had made no efforts to fund the scholarship. Murrill asserted that legal action is warranted due to the misappropriation of Wilson’s name and image.

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Louisiana rap legend Torence “Boosie” Hatch Jr. is using his platform to give back to the HBCU community. Louisiana First News reports that as part of his 6th Annual Boosie Bash. The Baton Rouge native is partnering with Southern University’s renowned Human Jukebox to establish a scholarship in memory of Caleb Wilson. A Southern University student who tragically lost his life in a hazing incident.

Boosie Bash, an annual music and cultural festival hosted by Louisiana rap legend Lil’ Boosie. The event, held in Baton Rouge, celebrates Southern hip-hop, Louisiana culture, and community engagement. It features performances from top artists, special guests, and various entertainment activities. Over the years, Boosie Bash has grown into a highly anticipated event. One that showcases music and highlights Boosie’s commitment to giving back to the community.

The scholarship will be awarded to an incoming freshman from New Orleans who plans to join the Human Jukebox marching band. This initiative honors Wilson’s legacy and reinforces the importance of supporting HBCU students and promoting positive opportunities in light of the recent tragedy.

Boosie, an outspoken advocate for Southern University and historically Black colleges and universities (HBCUs) as a whole. Has long expressed his admiration for the Human Jukebox. Over the years, his Boosie Bash has become a highly anticipated event that celebrates Louisiana culture. Bringing together top artists and community leaders. This year, by aligning the event with a meaningful cause. Boosie is ensuring that his influence extends beyond music and entertainment.

“We’re just trying to lift some people up and give some notoriety on what happened, but we’re definitely in support,” Boosie told Louisiana First News. He also mentioned that Caleb Wilson’s father played a significant role in making this year’s Boosie Bash possible.

Caleb Wilson

Southern University’s Human Jukebox is one of the most distinguished marching bands in the nation. Known for its electrifying performances and deep-rooted traditions. By creating a scholarship specifically for a future band member. Boosie and the university are providing a life-changing opportunity for a deserving student who embodies the spirit of dedication and excellence that Wilson exemplified.

The tragic loss of Caleb Wilson shed light on the dangers of hazing and the need for increased awareness and preventive measures within collegiate organizations. By transforming grief into action, this scholarship stands as a testament to resilience. Ensuring that Wilson’s memory lives on through the success of future generations.

As Boosie Bash continues to grow, its impact extends beyond entertainment, creating lasting change in the community. The new scholarship in Caleb Wilson’s honor is a reminder of the power of unity, philanthropy, and the enduring legacy of HBCU excellence.

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The accompanying music video for “4×4” showcases Prairie View A&M University’s “Marching Storm.” Further highlighting the dynamic performances characteristic of HBCU bands. Their inclusion not only adds visual flair but also pays homage to the cultural significance these bands hold within their communities.

Coachella invite

Building on this collaboration, Travis Scott has extended an invitation to HBCU marching bands to join him on stage at the upcoming Coachella Valley Music and Arts Festival in April 2025. He expressed his desire to feature a band performing the horn arrangement from “4×4” live. Offering a platform to showcase their talent to a global audience. In a gesture of support, Scott also mentioned the possibility of assisting with a semester’s tuition for the selected band’s members, acknowledging the financial challenges faced by many students.

The response from HBCU bands has been enthusiastic, with numerous groups submitting their renditions of “4×4” in hopes of being selected for the Coachella performance. Social media platforms, particularly Instagram, have been abuzz with videos and messages from bands eager to collaborate with Scott. This initiative not only provides a unique performance opportunity but also shines a spotlight on the musical excellence and cultural importance of HBCU marching bands.

Travis Scott’s engagement with HBCU bands exemplifies a meaningful fusion of mainstream artistry and collegiate musical tradition. By incorporating their distinctive sound into his music and live performances, Scott celebrates and elevates the legacy of HBCU bands, offering them a prominent stage to share their artistry with the world.

Several HBCU marching bands have enthusiastically responded to Travis Scott’s invitation to perform “4×4” at Coachella. Sharing their submissions on Instagram. Notable entries include:

Jackson State University Sonic Boom of the South

FAMU Marching100

SCSU Marching 101 Band

Texas Southern Ocean of Soul

Alcorn Sounds of Dynomite

Jackson State University’s Sonic Boom of the South recently shared their rendition of Travis Scott’s “4×4.” Which has garnered significant attention online, amassing over 2 million views on Instagram, prompting a simple but poignant response from Travis Scott, who stated , “Nah y’all went crazy” in the comment section of the video.

These submissions underscore the rich musical heritage and talent within HBCU bands, aligning with Scott’s vision to blend mainstream music with collegiate band traditions.

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PORTLAND, Ore. – The Portland Trail Blazers and Alaska Airlines are once again teaming up to transform this year’s HBCU (Historically Black Colleges and Universities) to the Pros Night into a celebration of the HBCU experience across the Portland community. Members of the Howard University Showtime Marching Band and Auxiliary Units will fly to Portland, courtesy of Alaska Airlines, for a weekend of community interaction, celebration, and education. The highlight of the weekend will be the annual HBCU to the Pros game on February 22 when the Trail Blazers take on the Charlotte Hornets.

In alignment with the NBA, the Trail Blazers prioritize highlighting the traditions and impact of HBCUs and the contributions of Black leaders who belong to historically Black fraternities and sororities and alumni of Historically Black Colleges and Universities. HBCUs have served as cultural and intellectual hubs, fostering a sense of identity, pride, and leadership development. They have contributed significantly to Black culture, literature, arts, and sciences and we are excited to showcase those contributions to Rip City throughout the weekend. As the NBA team the farthest from an HBCU, bringing the HBCU experience to Portland invites the local community, specifically Black youth, to get a taste of the rich history, traditions, and culture that HBCUs embody.

HBCUs play an important role in Alaska’s commitment to contributing in a meaningful way to the communities it serves. Driven by the belief that education has the power to transform the lives of young people, Alaska supports programs like United Negro College Fund (UNCF), the nation’s largest and most effective minority education organization. To date, the airline partnered with UNCF to launch a special aircraft livery to symbolize a joint commitment to creating opportunities in education and established UNCF as a CARE Miles partner, which allows Alaska Airlines Mileage Plan members to donate their miles to students flying out for college tours or flying home to be with their families on summer and holiday breaks. As part of the aircraft’s mission, Alaska has also supported several college tours and career and leadership development events. This spring, Alaska will support Portland area students from UNCF and the Portland Opportunities Industrialization Center as they go on HBCU tours.

“Howard University and the “Showtime” Marching Band are thrilled to take the national stage at the Portland Trail Blazers’ HBCU to the Pros Night.,” said Denise Saunders Thompson, Assistant Dean for Administration, Howard University College of Fine Arts. “We are excited to bring our dynamic energy, powerful stereophonic sound, and unmatched showmanship to the Pacific Northwest. As cultural ambassadors of Howard University, this moment is more than just a performance—it’s an opportunity to share our legacy of excellence while embodying our institution’s core values of “truth and service.” We believe this opportunity will strengthen the connection between our historic university and the vibrant Portland community. Under the direction of Chancellor Mills, the Showtime Band promises an exhilarating performance that will leave a lasting impression. Get ready, Portland—we’re coming to show up and show out!”

“We’re thrilled to once again partner with Alaska Airlines to bring a taste of the HBCU experience to the Pacific Northwest with the Howard University Showtime Band,” said Michelle Jalali, Senior Director of DEI, Portland Trail Blazers. “Bringing the culture and traditions of Historically Black Colleges and Universities to Portland is a meaningful way to inspire and inform our Black and brown youth on the tremendous opportunities that these schools offer, helping to strengthen the pipeline of young people attending and graduating from HBCUs. We look forward to a weekend of celebration, education, and show-stopping entertainment.”

“Our commitment to Portland runs deep – from our investment in the local community to offering the most flights to the most destinations from PDX,” said Megan Ouellette, vice president, public and government affairs at Alaska Airlines. “I know I join our more than 2600 Portland employees in anticipation as we partner with the iconic Trail Blazers and Howard University to bring the excitement of an HBCU to Portland.”

On Friday, February 21 the Trail Blazers and Alaska Airlines will host a community event at Portland Community College Cascade Gym (600 N Killingsworth St., Portland OR, 97217) beginning at 4 p.m. The event will be open to the public and feature performances from local dance and music groups, tabling from community groups, and the HU Showtime Marching Band’s first performance in Portland. On Saturday, February 22, both organizations will put on a private pregame mixer for local youth featuring a college and career exploration event made up of current professionals who are HBCU alumni and members of fraternities and sororities of the Divine 9. The weekend will close out on Sunday with another special community event featuring another show stopping performance from HU Showtime Marching Band.

Fans will have multiple opportunities to enjoy the incredible experience of the HU Showtime Marching Band throughout the game night. Prior to tip, catch the band participating in Blaze’s Pregame Parade presented by Polar Beverages throughout the 100 and 300 Level concourses. At halftime, stay in your seats for an epic halftime performance with the band taking over the Moda Center court with the sounds and choreography that make HBCU marching bands iconic. In addition to the band, the BlazerDancers will be joined by special guest dancers for a performance out on the court during a break in the game action.

In addition to the performances, the HBCU experience will be felt throughout Moda Center on February 22. Every attendee will receive a booklet upon entering the arena highlighting the night’s activations and entertainment. Back by popular demand, DJ Drae Slapz, an international DJ and artist, and member of Alpha Phi Alpha Fraternity, Inc., will be mixing tunes and providing the vibes as fans venture through the concourse.  Throughout the night, special videos will play throughout the arena featuring the Local Portland NPHC Chapter and HBCU Alumni. Also, check out Black History posters highlighting HBCU alumni and D9 members who have made significant cultural impact.

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“I’m going to be the first to donate. I’m going to give $25k out of my own pocket,” Shannon Sharpe told the crowd. 

“So if you donating $25k, I got to match what you doing, Unc?” Johnson said.

“You ain’t got to,” Shannon Sharpe replied. 

“But I should,” Johnson said. 

The HBCU band is set to headline the Super Bowl Pregame Show on Sunday. 

The Super Bowl is set to take place at the Ceasars Superdome, a place that the Human Jukebox is very familiar with.

The Southern University Human Jukebox is renowned for its show-stopping renditions of both traditional and contemporary music, making it a favorite at major events nationwide. In addition to their Super Bowl LIX performance, the band was recently featured in the 2025 Rose Parade, further solidifying their reputation as a premier collegiate marching band. They have also performed at the Macy’s Thanksgiving Day Parade, multiple Essence Festivals, and numerous other prestigious events.

With over 300 members, the Human Jukebox is a powerhouse of talent, embodying the spirit of Southern University and its distinct brand of HBCU culture. Its distinctive sound and captivating choreography have made it a fan favorite, and its Super Bowl LIX performance is expected to be a highlight of the event’s festivities. Fans and football enthusiasts alike will be eagerly awaiting the performance ahead of the big game. 

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The Nightcap, a podcast hosted by Shannon Sharpe and Chad Johnson, is having a live broadcast ahead of the Super Bowl on Thursday night. The Human Jukebox is set to make a special appearance. 

The HBCU band is set to headline the Super Bowl Pregame Show on Sunday. 

The Super Bowl is set to take place at the Ceasars Superdome, a place that the Human Jukebox is very familiar with.

The Southern University Human Jukebox is renowned for its show-stopping renditions of both traditional and contemporary music, making it a favorite at major events nationwide. In addition to their Super Bowl LIX performance, the band was recently featured in the 2025 Rose Parade, further solidifying their reputation as a premier collegiate marching band. They have also performed at the Macy’s Thanksgiving Day Parade, multiple Essence Festivals, and numerous other prestigious events.

With over 300 members, the Human Jukebox is a powerhouse of talent, embodying the spirit of Southern University and its distinct brand of HBCU culture. Its distinctive sound and captivating choreography have made it a fan favorite, and its Super Bowl LIX performance is expected to be a highlight of the event’s festivities. Fans and football enthusiasts alike will be eagerly awaiting the performance ahead of the big game. 

The post Super Bowl Show live event with Nightcap to star HBCU band appeared first on HBCU Gameday.